OK as a mildly comic cross-country hymn to all things Canadian, "One Week" addresses its oft-repeated central question — "What would you do if you had one week to live?" — by giving us a protagonist…
Delivers a formulaic-sounding conceit with enough unpredictability and downplayed sentiment to earn heartwarming emotions.
Forsaking his prior gay themes, writer-director Ryosuke Hashiguchi's first feature in seven years examines a marriage between two unremarkable individuals that endures, despite no lack of potential…
Following the more outre concepts of several features including "After Life" and "Nobody Knows," writer-helmer Hirokazu Kore-eda seems to be scaling back with the writ-small "Still Walking."
"American Swing" memorializes "the poor man's Playboy Mansion," the late-'70s/early-'80s Manhattan sex club Plato's Retreat.
One of the more bizarre illustrations of racial injustice under apartheid is dramatized in "Skin."
Akin to Alexander Sokurov's recent "Alexandra" in using a veteran performer as an embattled populace's elderly Mother Courage, "Adela" is minimalist in both aesthetic and (rarer still for a Filipino…
Despite the conceptual novelty promised by a 16th-century Finnish supernatural thriller, there's scant entertainment value in the disjointed, dreary "Sauna."
It's a dog's past life in "Dean Spanley," an immaculately cast, nicely handled and wafer-thin slice of Brit period-dress whimsy.
Whatever mysterious spell is woven in bestselling Euro novelist Guillaume Musso's "Afterwards" unravels in the English-language film version from French helmer Gilles Bourdos ("Inquietudes"). T