Comprising less than 5% of the world's population but consuming over 20% of its oil, the U.S. is seen here as having long backed itself into a corner at least partly responsible for wars, recessions…
A little charm goes but a little way in "An Audience with Meow Meow," a show with a title character whose program bio description as a "post-post-modern diva" likewise overestimates her edginess…
You can't really blame the filmmakers: Stuck with a budget that again halves its immediate predecessor's (now down to $5 million), they're hapless to convey the grand scale of events Rand intended.
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.2M Cumulative:$28.9M Sony / Screen Gems -35.29%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$586,451 Cumulative:$307.9M Disney -24.71%
Dolphin Tale 2
Dolphin Tale 23Daily:$506,166 Cumulative:$17.6M Warner Brothers -28.02%
Quebecois helmer Charles Biname's English-language pic about the cat-and-mouse games between an insidious patient and a mental hospital director investigating a shrink's disappearance is well-acted…
Andre Siqueira Brandao's widescreen B&W lensing alone would gain pic currency on the fest circuit, and if end result is neither fully satisfying or very commercially viable, it nonetheless tags…
This typically high-polish, psychologically angled contempo Spanish horror-thriller is well handled in all departments even if its ideas never feel particularly fresh, or their execution more than…
Jonas Govaerts' first feature is a pastiche of familiar horror elements that's well-crafted throughout, but falls prey to the common dilemma of finding a payoff worthy of the buildup.
This underdeveloped tale set on an island in Northern Ontario's Georgian Bay fails to build the intrigue or tension required for a thriller, and falls short as a character-driven drama as well.
Where writer-helmet Jalmari Helander's prior Xmas nightmare, "Rare Exports," was a distinctively Finnish product (albeit one with high gloss), this sophomore feature is very much in the style of a…
Despite competent performances and packaging, dialogue and situations in Aimee Lagos' script are too routine to create much excitement.