There's no people like show people, as evidenced in these nine decades of generosity
Metropolitan Opera general director Peter Gelb doesn't gloat. But if he did, no one could begrudge him an "I told you so."
On the surface, not much links director Darren Aronofsky's 2008 pic "The Wrestler" with his latest effort, "Black Swan," which concerns, among other things, the inner workings of a ballet company…
The biggest challenge in making the grueling "127 Hours" was finding the right actor to play Aron Ralston, the film's protagonist and basically its sole character.
Writing the music for "Rabbit Hole" should have been difficult. The movie -- a wrenching adaptation of David Lindsay-Abaire's Pulitzer Prize-winning play starring Nicole Kidman -- details the…
Nothing James Franco endured on the set of "127 Hours" could possibly compare with the real-life travails of his character, Aron Ralston.
Natalie Portman first discussed "Black Swan" with helmer Darren Aronofsky" nine years ago, but it took this long for the audacious film to get made.
Awards come in countless varieties, but none are more prestigious to American performing artists than the Kennedy Center Honors, the nation's ultimate lauding of living cultural treasures.
John Cameron Mitchell might not at first seem like an obvious choice to direct "Rabbit Hole," a screen adaptation of David Lindsay-Abaire's play about a couple grieving over the loss of a young child.
Production is dramatically effective -- so long as auds don't dwell on its inconsistencies and anachronisms.
More than a decade after bringing Shakespeare's "Titus Andronicus" to the screen, director Julie Taymor and composer Elliot Goldenthal -- partners in life and work -- have reunited for "The Tempest."