Though television is the most collaborative medium, it also offers a forum for individual talent -- especially for writers of longform drama.
There's no people like show people, as evidenced in these nine decades of generosity
Metropolitan Opera general director Peter Gelb doesn't gloat. But if he did, no one could begrudge him an "I told you so."
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.8M Cumulative:$27.7M Sony / Screen Gems 13.13%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$778,903 Cumulative:$307.3M Disney 34.56%
Dolphin Tale 2
Dolphin Tale 23Daily:$703,203 Cumulative:$17.1M Warner Brothers 34.59%
The biggest challenge in making the grueling "127 Hours" was finding the right actor to play Aron Ralston, the film's protagonist and basically its sole character.
On the surface, not much links director Darren Aronofsky's 2008 pic "The Wrestler" with his latest effort, "Black Swan," which concerns, among other things, the inner workings of a ballet company…
Writing the music for "Rabbit Hole" should have been difficult. The movie -- a wrenching adaptation of David Lindsay-Abaire's Pulitzer Prize-winning play starring Nicole Kidman -- details the…
Nothing James Franco endured on the set of "127 Hours" could possibly compare with the real-life travails of his character, Aron Ralston.
Natalie Portman first discussed "Black Swan" with helmer Darren Aronofsky" nine years ago, but it took this long for the audacious film to get made.
Awards come in countless varieties, but none are more prestigious to American performing artists than the Kennedy Center Honors, the nation's ultimate lauding of living cultural treasures.
John Cameron Mitchell might not at first seem like an obvious choice to direct "Rabbit Hole," a screen adaptation of David Lindsay-Abaire's play about a couple grieving over the loss of a young child.