Two projects from the development slate of visual-effects studio Rhythm & Hues are moving toward production as the company moves away from being strictly a vendor and looks to become a producer.
David S. Cohen
The visual effects industry's ability to handle huge changes at the last minute has cultivated some dubious habits at the studios.
Performance-capture acting, and the thesps who've tried it, are earning more respect these days.
In a sign that digital production is maturing as an industry, today marks the birth announcement for a new professional org: the Previsualization Society.
The $59.3 million bow of DreamWorks Animation/Paramount's "Monsters vs. Aliens" was hailed by exhibitors and distributors alike as a breakthrough in the burgeoning 3-D biz.
As impressive as "Iron Man's" visual effects are, it was clear even in early production that Robert Downey Jr.'s performance would set the picture apart from most superhero films.
Over a career now spanning almost 30 years and comprising some of the most successful action movies ever made, Gale Anne Hurd has acquired a reputation as one of the last real producers, someone who…
The May 22 bow of "Indiana Jones and the Kingdom of the Crystal Skull" not only marks the return of the whip-cracking archaeologist to the screen after 19 years, but his long-lost love, Karen Allen…
Director James Cameron's upcoming "Avatar" must rank as one of the most anticipated film projects in recent memory. His first narrative film since making the No. 1 box office hit of all time, 1997's…
Few stars can boast the consistency of Denzel Washington.
In its 125-year history, the Actors Fund has helped showbiz pros in all professions through all kinds of crises.