David Benedict


Review: 'Afterlife'


Peter Davison's symmetrical, white stone set, with low, stagewide stairs giving way to arches topped with classical pediments is a grand utterance in keeping with the tone of "Afterlife." But for all…

Review: 'Don Carlo'


Whichever version of "Don Carlo" one stages -- Verdi tinkered with it over 20 years in different languages and lengths -- the work exemplifies the term "grand opera." But any bombast that label…

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