Review: “Old Times”
The phrase "intensely poetic" is usually a warning sign, the equivalent of "Danger, no tension here." But the intensity of Ian Rickson's ceaselessly fascinating revival of Harold Pinter's "Old Times"…
David Benedict
Review: “Quartermaine's Terms”
From the comically defined opening to the sadness of the final scene, the hallmark of Richard Eyre's revival of "Quartermaine's Terms" is the detail he teases out of his actors.
Review: “Port”
Is the heartbreak in the pivotal scene of "Port" more extraordinary for the leading character Racheal (Kate O'Flynn) and her ex-boyfriend Danny (Calum Callaghan) or for the rapt audience? Impossible…
National's Hytner unveils 2013-14 slate
New productions of James Baldwin's "The Amen Corner," helmed by Rufus Norris, and "King Lear," helmed by Sam Mendes, headline the packed National Theater 2013-2014 slate announced Wednesday by a.d…
Review: “The Turn of the Screw”
"The Turn of the Screw" is a story with ghosts, which is not the same thing as a ghost story.
Kent's 'Private Lives' transfers to West End
Jonathan Kent's SRO Chichester Festival Theater production of Noel Coward's comedy of marital (bad) manners "Private Lives" will transfer to the West End's Gielgud theater in June.
West End on the rise in 2012
Both attendance and box office revenue for West End theater rose in 2012, according to official annual figures released by Society of London Theater (SOLT), which reps 52 theaters in Central…
Nonprofit model transforms Trafalgar
LONDON -- If you can't beat 'em, take their business model.
Review: “Di and Viv and Rose”
Watching Anna Mackmin's buoyant, terrific production of "Di and Viv and Rose" you think you're merely enjoying the surface wit and warmth of an amusing, if familiar, study of friendships when…
RSC to adapt Hilary Mantel novels
Adaptations of "Wolf Hall" and "Bring Up the Bodies," Hilary Mantel's historical novels of Tudor plotting, will get world preem stagings by the Royal Shakespeare Company as part of its winter 2013-14…
VScore
Domestic Film DAILY
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1
Star Trek Into Darkness
Star Trek Into Darkness
1Daily: $8.0M Cumulative: $98.4M Paramount Pictures 1st in th week -
2
Star Trek Into Darkness
Star Trek Into Darkness
2Daily: $6.8M Cumulative: $98.4M Paramount Pictures 2nd in th week -
3
Iron Man 3
Iron Man 3
3Daily: $3.2M Cumulative: $343.6M Disney 3rd in th week
Data provided by:
