D.R. Stewart

  • Film

ASCAP Workshop, Day 13

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Hans Zimmer's lair within his Santa Monica studio, Remote Control, serves a testament to the music he creates. It blends old-school elegance (textured wallpaper, a rare Chinese Ghuzeng harp, shelves…

ASCAP Workshop, Day 14

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When writing for film, ASCAP Workshop director Richard Bellis told the 12 participants to remember, "It's not a musically sophisticated audience; it's a movie-going audience." On the last day of the…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    No Good Deed

    Daily Gross:$1.0M

    Cume to09.18.14: $29.9M

    No Good Deed

    1
    Daily:$1.0M Cumulative:$29.9M Sony / Screen Gems -11.16%
  2. 2

    Guardians of the Galaxy

    Daily Gross:$557,622

    Cume to09.18.14: $308.5M

    Guardians of the Galaxy

    2
    Daily:$557,622 Cumulative:$308.5M Disney -4.92%
  3. 3

    Dolphin Tale 2

    Daily Gross:$459,663

    Cume to09.18.14: $18.1M

    Dolphin Tale 2

    3
    Daily:$459,663 Cumulative:$18.1M Warner Brothers -9.19%

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Data provided by:

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ASCAP Workshop, Day 12

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While the ASCAP workshop has touched on all components of a successful film composer's career, Tuesday's session was their first to meet a director. Tom Shadyac may not be god, but he's created…

ASCAP Workshop, Day 11

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Although the ASCAP workshop hinges on film composition, TV and video game music may offer even greater opportunities. Said Gerard Marino ("Gods of War"), "I signed a boob after a [gaming music]…

ASCAP Workshop, Day 10

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The ASCAP Workshop process began months ago, when more than 300 applicants submitted their scores. Today, it was down to the dozen who would face a 60-piece orchestra on Fox Studios' Newman scoring…

  • Film

ASCAP Workshop, Day 9

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Final scores were due at 8AM the next morning; what better time to meet music-business heavies? From Warner Bros. Pictures came Doug Frank (president, music operations) and Lisa Margolis (senior VP…

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