Bob Verini

Robert Duvall and Gena Rowlands

Review: ‘Tip-Toes’

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This revival of George and Ira Gershwin's "Tip-Toes" isn't just a textbook example of the tuner of the pre-"Show Boat" era. Tiny, game cast, working on a postage-stamp stage and a shoestring, is an…

John Landis, Deborah Nadoolman Landis and

Review: ‘Dogeaters’

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Encapsulating an entire society at a particular place in time would seem as thankless a task as a playwright could take on. But Noel Coward managed it in "Cavalcade," and Jessica Hagedorn takes a…

Mikkel Bondesen

Review: ‘Defiance’

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What do you do for an encore after writing the most important and successful Broadway drama in a decade? If you're John Patrick Shanley, you continue to explore the moral and ethical issues raised by…

Nick Counter

Review: ‘Ace’

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From "My One and Only" through "Steel Pier" and "Wings" to "The Drowsy Chaperone," many are the musicals that have employed an aviation motif, particularly the earliest barnstorming days, as…

Bob Wright

Review: ‘13’

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If the prospect of watching an all-teen company enact an all-teen musical accompanied by an all-teen band makes you cringe: Chill, dude, "13" is sheer bliss. The kids possess all the feisty energy of…

  • Film

What if…

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The docudrama was once the exclusive property of the small screen. It was TNT, TBS and Lifetimes that could be depended upon to rip stories from the headlines and dramatize them in longform.

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