Throughout the 60s, Leonard Bernstein's televised "Young People's Concerts" brought kids of all ages to a deeper appreciation of great music and those who made it. Hershey Felder's "Composer Sonata"…
Southern California's inaugural Festival of New American Musicals, taking place in theaters and schools from Ventura to San Diego Counties through May and June, was born out of a simple economic…
Forty-three years ago, the ineffectively written "Flora, the Red Menace" offered enough early Kander and Ebb ballads and comedy songs to turn Liza Minnelli into a Tony-winning star in the title role.
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
The Maze Runner
The Maze Runner2Daily:$1.3M Cumulative:$60.2M Fox 29.30%
The Boxtrolls3Daily:$862,914 Cumulative:$18.9M Focus 17.65%
The working motto for the scribes featured in this year's Pacific Playwrights Festival seems to have been: Dream big, but plan small.
The "Good War" had a great score, and some of the best WWII jukebox tunes are drafted for Roger Bean's "The Andrews Brothers," a splashy sendup of a South Pacific USO tour.
As sunrise signals the weary end of "The Night of the Iguana," play's saintly surrogate stands outside a dilapidated Mexican hotel to pray that God let them all "stop now. ... It's so quiet here…
The fine line between directorial concept and gimmick is crossed far too often in the Old Globe's revival of "The Glass Menagerie."
Richard Greenberg's "The Injured Party" examines and finally rejects (hurray!) contempo cynicism and disengagement, albeit in a coolly cerebral way that won't be to every taste.
This year's Pacific Playwrights Festival marks South Coast Repertory's 11th annual convocation of industry and publishing reps from coast to coast, in search of that most elusive of entities, the…
In "What They Have," Kate Robin's South Coast Rep-commissioned study of contemporary attitudes, the scribe sets an attractive pair of married couples, thirtysomething creative types, into conflict…