The emotional precision of "The Fantasticks" is in short supply in Reprise's overproduced revival.
"Emilie" is one of those marginal historical figures that playwrights delight in rediscovering.
Center Theater Group celebrates the 30th anniversary of "Ain't Misbehavin'."
Conor McPherson's contemporary folk fable falls short of optimum hilarity.
The ancient Greek House of Atreus has nothing on the El Paso, Texas, House of Flores.
In Richard Greenberg's "Our Mother's Brief Affair," Jenny O'Hara triumphantly chomps down on the rich matriarch role as if it were a piece of ripe fruit.
Theresa Rebeck's "Mauritius" -- in which two half-sisters wrangle with three shady dudes over their mother's legacy of vintage stamps -- can be enjoyed for its snappy dialogue and twisty mystery…
A sense of peeping in on real life pervades Michael Sargent's "The Projectionist," a noir-influenced comic melodrama about, and performed within, a seedy movie lobby. Script is thin, but sharp acting…
While many if not most performing artists are temperamental, on the evidence of "Opus" a string quartet's members may be the most high-strung.
In his South Coast Repertory-commissioned "Goldfish," John Kolvenbach concocts an ingenious variation on a familiar trope: the working-class college kid wooing the spoiled rich coed. His twist -…
In these hard times, it seems oddly fitting for a tuner titled "Working" to have been downsized (from 17 thesps in its 1978 debut to the current six) and its score partly outsourced (to "In the…