There's no more snappy synergy than using Elvis' music to tell Oedipus' story.
The belly laughs of Patrick Barlow's live adaptation are positively restorative.
Megan Mullally dominates the stage in "The Receptionist."
The female empowerment tuner gains no fresh luster with "The First Wives Club."
Any staging of "Guys and Dolls" is going to bring more pleasure than pain.
Much of the revival in a three-week stop at the Pantages is more kitsch than kosher.
The Cy Coleman celebration "The Best Is Yet to Come" might as well be titled "Witchcraft."
1954's fishy horror yarn is transformed into a 30-minute Universal Studios theme park show.