Annette Bening's "Medea" is a steely, resolutely feminist interpretation of Euripides' timeless child murderess.
Acting and design rich with the genuine breath of life more than compensate for a dearth of action.
One really wants to like "Matthew Modine Saves the Alpacas," but a premise is all they've got.
"The Night Is a Child" doesn't take us anywhere else new or surprising.
There's no more snappy synergy than using Elvis' music to tell Oedipus' story.
The belly laughs of Patrick Barlow's live adaptation are positively restorative.
Megan Mullally dominates the stage in "The Receptionist."
BD Wong's vehicle, first unveiled in 1975, inspires more admiration than warmth.