Freudian ghost story about a psychic's uncertain relationship with the material world.
Annette Bening's "Medea" is a steely, resolutely feminist interpretation of Euripides' timeless child murderess.
Acting and design rich with the genuine breath of life more than compensate for a dearth of action.
If you're looking for a little food for thought and a lot of heart, give "Peace" a chance.
"The Night Is a Child" doesn't take us anywhere else new or surprising.
There's no more snappy synergy than using Elvis' music to tell Oedipus' story.
The belly laughs of Patrick Barlow's live adaptation are positively restorative.
Megan Mullally dominates the stage in "The Receptionist."