Most adolescents believe they're unique and more interesting than everybody else, and the precocious Belgians of performance group Ontroerend Goed are no exception as they demand, "Once and for All…
Coming into its 13th year, the Hollywood Film Festival wasn't at all superstitious. Organizers confidently supplemented its annual array of features, shorts, docs and animation with a brand new…
A wholesome tuner in tune with the times, bolstered by winsome melodies.
The dense, textured script is no cakewalk.
Adapter/director Doug Wright dispels all library mustiness from "Creditors."
South Coast Repertory finds a little gem in Julie Marie Myatt's "The Happy Ones."
"Parade" must be accounted, by any standard, Southern California's production of the year.
The Old Globe's tuner is a fumbled rehab effort, though Babatunde gives a taste of the genius.
From the co-creators of "Spamalot," it hardly seems a worthy tribute to offer up "Spamalittle."
Freudian ghost story about a psychic's uncertain relationship with the material world.
Annette Bening's "Medea" is a steely, resolutely feminist interpretation of Euripides' timeless child murderess.
2016-2017 Oscar Predictions
- Oscars: With Historic ‘Moonlight’ Win, the Academy Embraces Empathy Over Escapism
- Oscar-Winner Casey Affleck Calls Denzel Washington ‘One of the First People Who Taught Me How to Act’
- Epic Oscars Mistake: Faye Dunaway, Warren Beatty Announce Wrong Best Picture Winner
- ‘La La Land’ Makes Damien Chazelle Youngest Best Director Winner in Oscars History