A little-known anecdote from America's racial past is excitingly told in "Free Man of Color."
The boulevard comedy gets a shot in the arm with Joe DiPietro's "The Last Romance."
Moby Pomerance's "The Good Book of Pedantry and Wonder," a lightly fictionalized saga of the making of the Oxford English Dictionary, offers less than meets the eye in its stylishly mounted world…
Enduring features of Jonathan Larson's "Rent" are honored in the Hollywood Bowl's recreation.
All five nominees for scribing a miniseries or telefilm delve into real-life notables' intensely private worlds, in order to shed light on their highly public accomplishments.
The anguished legacy of familial abuse is teeth-gnashingly explored in "Bones."
Plays like a big fat hit. That hit is "Guys and Dolls," whose characters and tone are shamelessly mimicked.
There's much enchantment in Christopher Ashley's midsummer production at La Jolla Playhouse.
The farce at the Odyssey remains inert and painfully unfunny, a rare misstep for our wickedest local savager of contemporary mores.
Regardless of whoever waltzes off with the choreography Emmy, it'll be a tribute to grace under pressure. All nine nominated routines created beauty despite the constraints of time, diverse styles…
Docudrama ecapitulates in shocking detail the 1995 liberation of 72 Thai garment workers.