The stars are a pleasure and the production is tastefully mounted, but the material is the problem.
The healing luminosity of the novel's prose is largely absent from Prince Gomolvilas' stage version.
Play has its moments but falls into the usual trap of trying to cover too much ground.
Brings out all manner of hitherto-unseen insights, stage business and laughs.
"Elektra" admits contemporary parallels derived from our understanding of the mind post-Freud.
Appropriately opening just in time for the Day of Atonement is the stupefyingly inept "David the Musical."
A little-known anecdote from America's racial past is excitingly told in "Free Man of Color."
The boulevard comedy gets a shot in the arm with Joe DiPietro's "The Last Romance."