For British producers John Battsek and Simon Chinn, a narrative film doesn't necessarily mean a fiction film. "I don't subscribe to that semantic distinction," says Chinn, who produced Oscar-winner…
Complementary skill sets make pair perfect fit to steer org onward
Sundance is always about the next hot young thing, whether the intense doe-eyed actress or audacious firsttime auteur.
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.0M Cumulative:$37.1M Sony / Columbia -63.56%
The Maze Runner
The Maze Runner2Daily:$968,406 Cumulative:$58.9M Fox -77.28%
The Boxtrolls3Daily:$733,441 Cumulative:$18.0M Focus -84.99%
Filmmakers' haven wins with precision releases of specialty fare
"I don't try to make an art film or commercial film," says Mexican filmmaker Gerardo Naranjo. "I'm just making a movie."
A year ago, Zal Batmanglij was just one more guy with a no-budget film at Sundance.
With "The Tree of Life," filmmaker Terrence Malick realized a long-held dream. Collaborators recall discussions about the project dating back some 30 years to the set of "Badlands," the American…
Alexander Payne wasn't sure he was the man to make "The Descendants." At the time the novel came into his office, he was busy writing another project called "Downsizing" and found it difficult to…
"It's been percolating in Terry (Malick) a long time," producer Bill Pohlad says. "When we met 12 years ago, he told me the story. We stayed in touch and stayed good friends. And 4-5 years later, he…
"I had always wanted to make a movie about the Cold War, and I had always been a big fan of Le Carre -- and that sort of spy with crumpled trousers and an old jacket, as opposed to James Bond," says…