Phoenix's physical transformation into the animalistic alcoholic Freddie Quell is like no other performance this year, as bold and convincing as the work of former Method actor master Marlon Brando.
If Day-Lewis could win an Oscar for his portrayal of a corrupt oil man in "There Will Be Blood," consider how much stronger his chances are this time.
As with his Oscar-winning supporting turn in "Inglorious Basterds," Waltz manages a near impossible mix of congenial menace; it's both fun to watch and is masterfully nuanced.
In addition to the task of live singing and having a camera close enough at times to examine his facial pores, Jackman brings theatrical life to the fabled Jean Valjean.
"If you can be disgusted and scared and laugh at the same time," says filmmaker Tommy Wirkola, "that's the ultimate mix for me."
Sex, drugs and violence -- not just the stuff of shlock. Why even art films need an exploitation angle.
Bolstered by an impressive series of accolades -- including an Oscar best picture nom, along with nods as best film of the year by the European Film Awards and the Los Angeles Film Critics and best…
Long known as the bastard offspring of Sundance, the Slamdance Film Festival, now entering its 19th year, has become a full-grown adult, no longer sheltered from the outside world, and increasingly…
In the world of Fredrik Bond, people are always moving -- dancing, falling, running -- through time and space, with energy and panache.
Rebecca Thomas attributes her distinct filmmaking vision to a unique upbringing: "I grew up as a Mormon in Las Vegas, surrounded by all things holy and righteous, but with Sin City just at my…