In the movie business, the label "art film" isn't always a deal-breaker. Nowhere is this more apparent than at Cannes.
Adam Leon, the fast-talking first-time director of no-budget crowdpleaser "Gimme the Loot," wants to take audiences on a ride, he says. "People think that means 'The Fast and the Furious,' which I…
Adam Leon, the fast-talking first-time director of no-budget crowdpleaser "Gimme the Loot," wants to take audiences on a ride, he says.
There are faint scars on the face of Ric Roman Waugh that testify to the injuries he suffered during his years as a stuntman on films such as “Days of Thunder,” “True Romance,” “Hook” and “Lethal…
While many indies try to lure stars, others serve to launch new talent
At first glance, David Lowery's "Ain't Them Bodies Saints" doesn't seem to have much in common with Shane Carruth's "Upstream Color." Lowery's fable-like "Saints" follows a Texas outlaw trying to…
When he dives into character study ("Malcolm X," "The Hurricane," "Training Day"), Washington's performance moves beyond the screen and into our conscience.
Comedic performances don't always hold sway with Oscar voters, but Arkin, a much beloved Academy regular who won the supporting prize for "Little Miss Sunshine," does a hilarious job of lampooning…
The veteran Oscar winner ("Raging Bull") delivers a welcome comeback performance, combining the comic timing of his Fokkers patriarch with the fury and energy that marked his earlier roles.
Hoffman delivers the kind of magnanimous performance that's hard to dismiss, capturing the larger-than-life "Master" of the film's title with equal parts elegant control and overflowing vitality -- a…
Everyone likes a comer, and Cooper, most known for "The Hangover" movies, shows he's got the dramatic chops as a man beset by bipolar disorder, exuding both bare-knuckled vulnerability and excess…