William Goldenberg's training as an editor began long before film school, when he was flipping eggs and washing dishes at his father's Philadelphia deli.
Production designer Rick Carter on set decorator Jim Erickson
Production designer David Gropman on set decorator Anna Pinnock
The Oscar for achievement in production design always goes to a pair: the production designer and the set decorator.
Production designer Dan Hennah on set decorators Ra Vincent and Simon Bright
Production designer Eve Stewart on set decorator Anna Lynch-Robinson
Contenders balance objective and subjective scenes
In "Les Miserables," Tom Hooper's cinematic take on the classic stage musical, live singing performances posed fresh challenges for its two film editors.
O'Driscoll juggled cockpit, cabin and outside shots.
Settings functioned as characters in pics with editing noms
Generous running time left room for character development