William Goldenberg's training as an editor began long before film school, when he was flipping eggs and washing dishes at his father's Philadelphia deli.
The Oscar for achievement in production design always goes to a pair: the production designer and the set decorator.
Production designer Dan Hennah on set decorators Ra Vincent and Simon Bright
Production designer Eve Stewart on set decorator Anna Lynch-Robinson
Production designer Rick Carter on set decorator Jim Erickson
Production designer David Gropman on set decorator Anna Pinnock
Contenders balance objective and subjective scenes
In "Les Miserables," Tom Hooper's cinematic take on the classic stage musical, live singing performances posed fresh challenges for its two film editors.
O'Driscoll juggled cockpit, cabin and outside shots.
Settings functioned as characters in pics with editing noms
Editors try many strategies to keep auds happy for hours