Marks aims to change things for the better
"There's no romantic story" behind his start in film editing, Richard Marks says. "I was running film cans around New York. People would order 600 prints of a commercial, and part of my job was to…
Anna Dimond
ACE Eddie noms show revealing splits from Oscars
Over the past 10 years, members of American Cinema Editors society and Academy of Motion Picture Arts and Sciences voters have shared winners for excellence in film editing in all but a few cases.
Spielberg: Maestro at work
Precise choreography earns Steven Spielberg kudo from editors
Larry Silk helped find new grammar for docus
"The main thing Larry Silk communicated to people was an excitement about this craft," says Geof Bartz.
Editing 'Pi' was no piece of cake
"Life of Pi," Ang Lee's film about a boy adrift at sea with a hungry tiger, isn't a virtual production like "Avatar," but its 3D footage and CG animation and environments posed challenges for film…
'Playbook' editor Cassiy followed winding road
Jay Cassidy, who is Oscar-nominated for editing David O. Russell's "Silver Linings Playbook," has edited both documentaries and narrative films. He describes the difference between the two forms as…
'Lincoln' editor Kahn had to juggle massive ensemble
Kahn measured cuts to ensure aud kept track of characters
Double nominee Goldenberg serves up fine cuts
William Goldenberg's training as an editor began long before film school, when he was flipping eggs and washing dishes at his father's Philadelphia deli.
Gropman on Pinnock for 'Life of Pi'
Production designer David Gropman on set decorator Anna Pinnock
Carter on Erickson for 'Lincoln'
Production designer Rick Carter on set decorator Jim Erickson
