Perhaps the worst one can say about "Kill the Messenger" is that it sometimes plays like a condensed version of a first-rate cable miniseries.
Welcoming producer, rapper, director and Wu-Tang Clan founder the RZA to the Los Angeles County Museum of Art on Tuesday night, the Film Independent at LACMA series scored an excellent 35mm print of…
The first thing to know about John Ridley's "Jimi: All Is By My Side" is that the writer-director was unable to secure rights to any of Jimi Hendrix's original songs or recordings.
Scott Frank's detective thriller "A Walk Among the Tombstones" is, at heart, a fully old-fashioned pulp potboiler.
For her intriguing feature-film debut, "Second Coming," playwright Debbie Tucker Green poses a bold question — what if a modern-day, middle-class British woman found herself miraculously pregnant? …
It deserves to be stated upfront: Of the many things that go horribly wrong with "The Cobbler," none are even remotely Adam Sandler's fault.
An almost bizarrely limp, emotionless, blank greeting card of a movie.
Paul Dano and John Cusack bring the Beach Boys' Brian Wilson to life in Bill Pohlad's vibrant cure for the common musical biopic.
It wasn't exactly Lana Turner at the soda fountain, but the manner in which filmmaker brothers Benny and Joshua Safdie happened upon Arielle Holmes, the lead actress and muse for "Heaven Knows What,"…
A music-industry romance that alternates freely between wisdom and mawkishness, caustic entertainment-biz critique and naive wish fulfillment, heartfelt flourishes and soap-opera shenanigans.
Mia Hansen-Love's "Eden" would make for a wonderfully eye-opening anchor on a double bill with the Coen brothers' "Inside Llewyn Davis."