Variety.com

As it deftly adds new storylines, “The Handmaid’s Tale” wisely focuses on its strongest performers, all of them female.

“Westworld” is actually at its best when it is less intent on importance and attempts to simply entertain.

The more “Genius: Picasso” focuses on that divide between the young firebrand and older laggard, the better the series is.

The Robot is kind of cool. Unfortunately for this adventure tale, most members of the Robinson family are bland or annoying.

Lincoln Center Theater opens its heart (and its superb Vivian Beaumont stage) to that most beloved of musicals, “My Fair Lady.”

Tina Fey’s catty book and Nell Benjamin’s saucy lyrics pump laughs into this smart musical-comedy version of the 2004 movie.

The National Theatre revival brings Tony Kushner’s play back to New York 25 years after the epic won a Putlizer and two Tonys.

Second Stage christens the Hayes Theater with an affectionate revival of this 2001 play by Kenneth Lonergan starring Chris Evans.

Inspired by the Manchester bombing, “No Tears Left to Cry” aims to not leave a wet eye in the house.

“My Dear Melancholy” feels more like a transition, a way station on the journey to wherever The Weeknd is going next.

“Boarding House Reach” is a funhouse, mixing up prog-rock, poetry, trip-hop, retro funk, and White’s signature hard rock riffing.

Funny, fierce, foul-mouthed and in-your-face, “Invasion of Privacy” is one of the most powerful debuts of this millennium.