Film Review: ‘Proud Mary’

As a haunted assassin who bonds with a kid, Taraji P. Henson has a humanity that trumps this watchable wad of B-movie formula.

Director:
Babak Najafi
With:
Taraji P. Henson, Jahi Di’Allo Winston, Billy Brown, Danny Glover, Neal McDonough, Xander Berkeley, Margaret Avery, Rade Serbedzija.
Release Date:
Jan 12, 2018

Official Site: http://www.imdb.com/title/tt6421110/

Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, about its showy and efficient but ultimately rather routine action sequences, and about the doleful swagger of its star and executive producer, Taraji P. Henson, who knows how to shoot a bullet into somebody’s chest by adding that special touch of mean-it fierceness.

Beneath the ballistic flash, though, “Proud Mary” is a rather desultory sentimental fable about a veteran Boston killer, Mary (Henson), who takes a 13-year-old street urchin, Danny (Jahi Di’Allo Winston), under her tattered wing. She becomes his protector, and in the process tries to liberate herself from a lifetime of regret. Henson is the right actress to play a contract killer grown weary, but as a thriller “Proud Mary” doesn’t do her justice. It’s a connect-the-dots underworld trifle, watchable and minimal (at 88 minutes, it has time for about one-and-a-half plot twists), though Henson holds it together and, at moments, comes close to convincing you that you’re watching a better movie.

Mary meets Danny when she orphans him by killing his deadbeat father. The kid is already a precocious criminal, a survivor with a tough pout, who works for a local hood — played by the always appealing Xander Berkeley, though in this case trying out an unfortunate stage-Yiddish accent from the early ’60s. Danny’s plight brings out the maternal instinct that Mary has been repressing her whole life, ever since she was a lost teenager who got rescued by Benny (Danny Glover), the gangster who trained her to be an assassin and made her part of his criminal family. It’s a nest that no one is allowed to leave.

Glover, now 71, gives a canny and arresting performance. Holding his tall frame stock-still, he’s all scratchy vocal delivery and folksy benevolence — until he’s crossed, at which point he turns evil, though he doesn’t alter his delivery at all, just the words he’s saying. He’s a very friendly monster. We can see why Mary would want to be free of him — and, what’s more, why she’s still running from her romance with Benny’s cloyingly heartless son, Tom (Billy Brown). They’re her clan, but she wants to breathe clean air again.

In 1994, “The Professional” teamed Jean Reno and the young Natalie Portman and proved that it was possible to make a movie about a hitman who partners with a kid and not have it be a corny contrivance. But just because it’s possible doesn’t mean it’s easy. “Proud Mary” is too sketchy to give Mary and Danny’s kinship anything more than an abstract weight. It’s the sort of movie in which Danny accuses Mary of taking care of him out of guilt, and she replies, “That’s not true! Well, maybe it was at first, but it’s not true now.” The dialogue simply mirrors the script’s formulaic design.

Henson, at least, makes every scene breathe. She’s not an exploitation actress. She gives Mary a haunted bravado, and when she finally confronts her enemies, one by one, you feel the weight of each pulled trigger. Yet maybe that’s the very reason why Henson is decent, but not exceptional, as an action star: As she wheels her car through a spray of bullets, or picks off henchmen with perfectly timed shots, she goes through the motions just fine, but you never feel like she was born for this kind of brutality. Taraji P. Henson has too much humanity to be reduced to a lethal weapon.

Film Review: 'Proud Mary'

Reviewed at Main Street Cinemas, New York, Jan. 11, 2018. MPAA Rating: R. Running time: 88 MIN.

Production: A Screen Gems release of a Screen Gems production. Producers: Tai Duncan, Paul Schiff. Executive producers: Glenn S. Gainor, Taraji P. Henson.

Crew: Director: Babak Najafi. Screenplay: Steve Antin, John Stuart Newman, Christian Swegal. Camera (color, widescreen): Dan Laustsen. Editor: Evan Schiff.

With: Taraji P. Henson, Jahi Di’Allo Winston, Billy Brown, Danny Glover, Neal McDonough, Xander Berkeley, Margaret Avery, Rade Serbedzija.

More Film

  • Korea Box Office: 'Believer' Wins as

    Korea Box Office: 'Believer' Wins as ‘Solo’ Opens Fourth

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • Andrei Cretulescu Finds New Romanian Rhythm

    Andrei Cretulescu Finds New Romanian Rhythm in 'Charleston’

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • China Box Office: 'Solo' Opens Third

    China Box Office: 'Solo' Opens Third Behind 'How Long' and 'Avengers'

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • Solo A Star Wars Story

    'Solo: A Star Wars Story' Stumbles Overseas With $65 Million Launch

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • 'Solo': What That Surprise Cameo Means

    'Solo': What a 'Character Too Secret to Ever Name' Means for the 'Star Wars' Spinoff

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • Solo A Star Wars Story

    Box Office: 'Solo: A Star Wars Story' Looks to Edge Past $100 Million For Holiday Weekend

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

  • Rebel Wilson and Taye Diggs

    Concert Review: 'Beauty and the Beast' Gets Adoring Tribute at Hollywood Bowl

    “Proud Mary” is an assassin-with-a-heart-of-gold action thriller in which the sizzle doesn’t match the steak (or, in this case, the low-grade VOD-and-cable-ready B–movie hamburger). The sizzle is all about the blazing guns and badass attitude — about the film’s neo-blaxploitation credits and allusion to the anarchic Ike and Tina Turner version of the title song, […]

More From Our Brands

Access exclusive content