Netflix Is Burning Cash in Its Shift to Originals

Netflix Burning Cash Movie
Cheyne Gateley/Variety

Netflix got a lot of attention last year by declaring its intent to spend $6 billion on content in 2017. But that’s not a true reflection of the cash the company is actually shelling out.

Through about 2011, the money Netflix spent on content each year was roughly equal to the amount the company expenses each quarter in its profit-and-loss statement. However, that changed starting in late 2012 with Netflix’s spending on original content, which is very different from the way it pays for licensed content.

With licensed content, the streaming company has generally been able to arrange to pay in a manner that aligns with the way it accounts for content costs in its P&L statement — a little bit at a time over the life of the content. But with original content, Netflix has to fund the whole expense out of pocket from day one, meaning that almost all of the cash cost is incurred before the content is even available.

source: Company Reporting, jackdaw research Analysis and estimates

As a result, whereas Netflix’s cash outlay on content was once considerably less than its total cost of revenue specified in the company’s income statement, it is 25% to 30% higher as of the last few quarters.

If what Netflix spent on original content relative to its total content expenditure were to remain the same in the near future, that cost wouldn’t necessarily be an issue. But chief content officer Ted Sarandos has indicated he’s looking to raise the portion of original content on the company’s platform to half its total roster over the coming years. That means spending more and more cash up front.

Thus, while Netflix has been profitable at a net income level for a number of years, it’s now burning through cash at a tremendous rate. The company’s preferred metric in this area is free cash flow, and both the dollar amount of losses and the margins those imply have been worsening over time, with a brief blip in the first quarter of this year. Its total net outlay over the last four quarters was $1.8 billion.

source: Company Reporting, jackdaw research Analysis and estimates

This rapid shift from licensed to original content is the single biggest difference between Netflix and, say, HBO, whose spending on originals has remained constant in percentage terms over the past five years. Even Amazon isn’t spending at nearly the same levels as Netflix, and it has a massive e-commerce business to generate cash.

Netflix has publicly anticipated “many years” of negative free cash flow and doesn’t forecast turning that around until it has reached a much larger revenue base. That means the strategy is entirely dependent on the company’s continued ability to grow rapidly and expand its margins. But if its growth trajectory slows or its cost of content increases faster than anticipated, Netflix will find its current ability to keep raising more debt seriously compromised.

Jan Dawson is the founder and chief analyst at Jackdaw Research, an advisory firm for the consumer technology market.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 2

Leave a Reply

2 Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. R. Paul Dhillon says:

    There is of course one factor the article doesn’t point out and that is that Netflix owns the content it is producing as opposed to licensing which is for short term so it’s building a library of original content it owns and can eventually monetise further through sale and licensing to other platforms and television -which is against its core philosophy! But the library overtime is obviously valuable in case of company being sold! So yes it’s changed the way it wants to do content business and perhaps in doing so it’s finding how it can offload expensive series so that it can move to make more new projects like the $100 million Altered Carbon series by Skydance Media!

  2. Sarah says:

    SENSE8 was the highest viewed Netflix show the end of May (even though Season 3 came out only on May 5 – after a TWO YEAR HAITUS).

    Look up Listen First Streaming Ratings.

More Voices News from Variety

Loading