He died on Wednesday at home in Norfolk, his widow, Anwen, confirmed in a statement to Variety. Hurt had disclosed in 2015 that he had been diagnosed with pancreatic cancer.
Anwen wrote as a tribute, “John was the most sublime of actors and the most gentlemanly of gentlemen with the greatest of hearts and the most generosity of spirit. He touched all our lives with joy and magic and it will be a strange world without him.”
Mel Brooks, executive producer of “The Elephant Man,” tweeted that he was a “truly magnificent talent.”
He played Mr. Ollivander, the wand-maker in the first Harry Potter film, “Harry Potter and the Sorceror’s Stone,” and for parts 1 and 2 of “Harry Potter and the Deathly Hallows,” however his scenes in “Harry Potter and the Goblet of Fire” were cut.
Hurt was twice nominated for Oscars, the first time in 1979 for his supporting role in “Midnight Express,” the second time in 1981 for “The Elephant Man.” In 2012 he received a BAFTA Award for outstanding British contribution to cinema.
The actor had the pale, haunted look of a man who is perpetually sleep deprived, but he used his craggy features to his advantage. Reviewing the 2011 feature adaptation of John le Carre’s “Tinker Tailor Soldier Spy,” in which Hurt played Control, the head of MI6, the New York Times revealed admiration for the actor’s visage: Control “explains his theory about the mole, the folds in Mr. Hurt’s magnificent face sagging a bit lower. That face, a crevassed landscape that suggests sorrow and history, has the granitic grandeur of W.H. Auden in his later life. In tandem with Mr. Hurt’s sonorously melancholic voice (and its useful undertones of hysteria), it is a face that, when used by a filmmaker like Mr. Alfredson, speaks volumes about a character who would otherwise take reams of written dialogue to discover.”
But, of course, there was more to Hurt than his memorable appearance; Michael Caton-Jones, who directed the actor in several films, described him to the U.K.’s the Guardian in 2006 in this way: “One of the greatest screen actors ever, and one of the bravest — because he’s all about honest emotion. People think actors have to pretend or lie. The best actors, like John, know they have to search for the truth.”
In addition to “Alien,” Hurt appeared in a number of other high-profile fantasy or science fiction films, including “Indiana Jones and the Kingdom of the Crystal Skull” (in which he played Jones’ aged and, for much of the movie, befuddled colleague Dr. Oxley), “V for Vendetta,” “Hellboy,” and Brett Ratner’s 2014 Dwayne Johnson-starrer “Hercules.” He also did a three-episode arc on the BBC’s “Doctor Who” in 2013.
He most recently played a priest opposite Natalie Portman in Pablo Larraín’s 2016 biographical drama “Jackie.”
Hurt was slowly building his career in the film and TV career in the 1960s and ’70s. He was first recognized for a supporting role as a young schemer in the classic film “A Man for All Seasons” in 1966, and he played a man unfairly accused of murder in 1971’s “10 Rillington Place,” drawing his first BAFTA nomination. In 1975 he significantly upped his profile by starring in the adaptation of “The Naked Civil Servant,” Quentin Crisp’s memoir about living openly as a gay man in England in the 1930s and ’40s, winning the actor his first BAFTA TV Award. (Decades later, Hurt would reprise the role of Crisp in 2009’s “An Englishman in New York,” about the writer’s later years living in Manhattan, and drew another BAFTA TV nomination.)
Also fueling Hurt’s rise was a frighteningly effective turn as the blood- and sex-crazed Roman emperor Caligula in “I, Claudius,” which aired on PBS in 1977. The sunken-cheeked actor memorably played a drug addict who befriends the central character in a Turkish prison in “Midnight Express,” drawing an Oscar nomination and a BAFTA win, and he provided the moving lead voice of Hazel for the animated feature version of “Watership Down,” both in 1978.
The actor actually had a fairly small role in Ridley Scott’s “Alien,” but the film’s exceptional success at the box office coupled with the spectacular way in which his character dies in the film — with the alien shockingly bursting from his chest — guaranteed Hurt a level of visibility he had never achieved before. Hurt, who drew yet another BAFTA nomination for the role, was 39 at the time but looked older.
The next year he starred as the title character, John Merrick, in David Lynch’s film “The Elephant Man,” and though his features were hidden behind either a canvas bag or the mounds of makeup used to convey Merrick’s disfigurement, Hurt brought a nobility and dignity — and undeniable sense of tragedy — to the character. The New York Times said, “It’s to the credit of Christopher Tucker’s makeup and to Mr. Hurt’s extraordinary performance deep inside it, that John Merrick doesn’t look absurd, like something out of a low-budget science-fiction film.” He was nominated for an Oscar and won another BAFTA.
Also in 1980 he had a substantial role in Michael Cimino’s “Heaven’s Gate,”co-starring with Kris Kristofferson and Christopher Walken. He also starred as Raskolnikov in a BBC miniseries production of Dostoyevsky’s “Crime and Punishment” that aired on PBS’ “Masterpiece Theatre” that year.
As his career was on the rise in the early 1980s, Hurt took a substantial emotional hit when his girlfriend of 16 years, French model Marie-Lise Volpeliere-Pierrot, was killed in a riding accident in 1983.
The actor turned in an impressive, sympathetic performance as Winston Smith in Michael Radford’s 1984 adaptation of George Orwell’s classic dystopian novel “Nineteen Eighty-Four.” The same year he starred as a mostly silent killer in Stephen Frears’ philosophical road movie-cum-crime drama “The Hit.”
In 1989’s “Scandal,” Hurt starred as the real-life Stephen Ward, who groomed young women for sexual relationships with Britain’s powerful as a means of gaining access to them, resulting, inevitably in a scandal. Roger Ebert said: “The movie stars John Hurt in one of the best performances of his career. In an early scene, Hurt’s eyes light up as he sees a pretty girl walking down the street, and somehow Hurt is able to make us understand that he feels, not lust, but simply a deep and genuine appreciation for how wonderful a pretty girl can look on a fine spring day.”
In Jim Sheridan’s “The Field” (1990), in which Richard Harris brilliantly played an Irish tenant farmer beset by tragedy, Hurt gave an equally impressive performance as his dimwitted friend, winning another BAFTA nomination.
The actor played a Scottish aristocrat central to the plot in the 1995 historical adventure “Rob Roy.”
Hurt gave one of his most intriguing, charming performances in the 1998 film “Love and Death in Long Island,” in which he played a writer who becomes absolutely besotted with a young actor, played by Jason Priestley, whom he accidentally sees in a silly movie.
Hurt was part of the impressive ensemble cast of Lars von Trier’s 2011 film “Melancholia,” and the same year he played Control, the leader of MI6, in the feature adaptation of John le Carre’s “Tinker Tailor Soldier Spy.”
John Vincent Hurt was born in Shirebrook, Derbyshire. He trained to become a painter at Grimsby Art School (and continued painting throughout his life), then studied at RADA — the Royal Academy of Dramatic Art.
The actor racked up a significant number of stage credits, including as Romeo in a 1973 production of “Romeo and Juliet,” and toured in Samuel Beckett’s solo show “Krapp’s Last Tape” but truly found his place onscreen.
With his extraordinary whiskey-tinged voice — the U.K.’s the Guardian wrote in 2009, “His face is one of the most distinctive in the movies. Almost as distinctive as his voice, dripping with honey and acid, often at the same time” — Hurt was unsurprisingly in demand for voiceover and narration work. He was the voice of the dragon in the BBC-Syfy series “Merlin” and narrated films including the Western “Wild Bill,” “Perfume: The Story of a Murderer” and von Trier’s “Dogville” and “Manderlay,” as well as a variety of documentaries.
In 2009 Hurt won a prestigious BFI Fellowship from the British Film Institute.
He was married four times, the first time to actress Annette Robertson in the early 1960s, the second time to Donna Peacock, the third time to Jo Dalton.
Survivors include the actor’s fourth wife, producer Anwen Rees-Myers, whom Hurt married in 2005, and two children by Dalton.
|John Hurt’s Life and Career in Photos|