Armenian Genocide Movie ‘The Promise’ Screens at Vatican With Director Terry George and Talent (EXCLUSIVE)

Armenian Genocide Movie 'The Promise' Screens
Courtesy Survival Pictures

Film faces U.S. release challenges

ROME – “The Promise,” a movie about the Armenian genocide, screened at the Vatican on Tuesday with director Terry George, producer Eric Esrailian and some talent in attendance, in a clear sign of Catholic Church support ahead of the film’s upcoming U.S. release.

The big-budget epic was bankrolled by late billionaire Kirk Kerkorian. Its lead actors, Christian Bale and Oscar Isaac, did not make the trek to Vatican City, but the intimate event held for Vatican officials in the 50-seat Vatican Cinematheque’s screening room was attended by stars Shohreh Aghdashloo and James Cromwell and by singer-songwriter Chris Cornell, who composed the theme song.

The Vatican screening comes after Pope Francis last year made his first visit to Armenia. During the visit, he used the term “genocide” to describe the slaughter of an estimated 1.5 million Armenians by Ottoman Turks during World War I.

The pope’s remark sparked an angry reaction by the Turkish government, which strongly denies that a genocide occurred, arguing that it was wartime and many Turks were killed as well and insisting there was never a systematic plan to execute Armenians.

Esrailian, head of Survival Pictures, which he set up with Kerkorian to produce “The Promise,” traveled to Armenia for the papal visit.

“When he [Pope Francis] mentioned the word ‘genocide’ once in the big Mass, you could hear a kind of collective gasp and people getting tearful because he spoke really as a world leader,” Esrailian recalled. He noted that Armenia was the first nation to adopt Christianity as a state religion, “so it has a special place in Catholicism.”

“When there was awareness [within the Vatican] that a major film was being made, we were contacted to screen the movie. So we sent a private link to be viewed,” he said.

“The Promise,” which world-premiered at the Toronto Film Festival last September, will go on wide release in the U.S. on 2,000 screens via Open Road Films on April 21.

The roughly $100-million film is considered a breakthrough after several attempts to make a Hollywood film about the Armenian genocide failed during past decades because of what director Terry George calls a “denialist lobby,” which these days is efficiently run by the government of Turkish President Recep Tayyip Erdogan, he claims.

George said there was a denialist propaganda machine behind “The Ottoman Lieutenant,” a film with strikingly similar elements to “The Promise,” but which allegedly takes the side of the denialists. “Ottoman Lieutenant” went on release via New York-based Paladin on roughly 200 screens in the U.S. in March.

“It’s an Erdogan propaganda film released as a feature film in the United States, remarkably, just ahead of us,” the director said. “The Ottoman Lieutenant,” which stars Josh Hartnett and Ben Kingsley, was produced by a Turkish company called Eastern Sunrise Films.

Variety critic Dennis Harvey, in his review of “The Ottoman Lieutenant,” wrote that, “[in] this primarily Turkish-funded production, the historical, political, ethnic and other intricacies — not to mention that perpetual elephant in the room, the Armenian Genocide, which commenced in 1915 — are glossed over in favor of a generalized ‘Whattaya gonna do… war is bad’ aura that implies conscience without actually saying anything.”

“The Promise” faces its own challenges, including tepid reviews. Variety critic Peter Debruge called it “a sloggy melodrama in which the tragedy of a people is forced to take a back seat to a not especially compelling love triangle.”

“The Promise” centers on a love story involving a medical student (Isaac), a journalist (Bale), and the Armenian woman (Charlotte Le Bon) who steals their hearts. All three find themselves grappling with the Ottomans’ decision to begin rounding up and persecuting Armenians.

“The construct of the love triangle is clearly there for people who are unaware of the genocide or not particularly that interested in it,” said George. “It’s a big, old-fashioned love story. I think we’ve created a classic form of story, and hopefully women in particular will be entertained by it,” the director added.

As part of its marketing strategy, Survival Pictures has launched a #KeepThePromise social impact campaign for which it has already recruited Elton John, Barbara Streisand, Andre Agassi, Cher, Sylvester Stallone, among others, for an anti-genocide call to action connected to the film which has a strong philanthropic aspect. Survival Pictures’ cut of the box office will go to charities including The Sentry, the non-profit group co-founded by George Clooney and activist and author John Prendergast.

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  1. Richard Forzani says:

    The issue here is Armenia. The genocide of native Americans is well accepted, and took place over centuries. It was never consciously/legally instituted, but merely accepted as the natural way of things. It was horrible.
    The Turkish horror was deliberate, state-sanctioned, and confined to a specific short period. It has also been denied for over a century. Besides the Holocaust and Stalin’s Ukraine starvation, it is the greatest mass murder in modern consciousness.

    Personally, I think that using Franz Werfel’s “40 days of Musa Dagh” would have made for a much more authentic script, since it was based upon true events.

  2. Normandie Kent says:

    Now if the Catholic Church and the Pope admit to the The Mission Project Genocide that contributed to the Deaths of Millions of Native Americans of this hemisphere . The American Era genocide that killed the Survivors of the first genocide of the Spanish and Catholic Church and the Jesuits and Franciscans . America should stop denying it also.

    • Siren says:

      You must be confused with the protestants in the North. Actually if you take a look at the Spanish colonies they are mostly native. That tells you who did the “genocide”
      I am from Latin America and contrary to what some believe the Spanish didn’t commit genocide. YOu can actually see it. Natives versus Europeans are 10-1 and then the mestizos.
      Take for example the Aztec empire. It was about 6 million people. Today they are 97 million people. That means that they grew at an even greater rate than the Mestizos.

    • John says:

      Kent, you confused? Nobody denies the slow mass murder of the Native Americans that took place, but it wasn’t as planned as what the Turks did to the Armenians. The Turks systematically excluded the Armenians from society, rounded them up, deported and killed them. There was a master plan for murder of a whole people. That’s a different quality than what happened to the Native Americans. It’s more similar to the Holocaust.

  3. ShadyA$sTurks says:

    Don’t trust Turkey until they cop to the genocide.

    • John says:

      As long as the Turkish government is not able to deal with its own history, how do you want to trust them? Not possible.

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