Box Office: ‘Rogue One’ Rules Over New Year’s Weekend, ‘Sing’ Still Strong

Rogue One: A Star Wars Story
Courtesy of Lucas Film

New Year’s kicked off with familiar favorites, “Rogue One: A Star Wars Story” and “Sing,” dominating the domestic box office. Both films have emerged as the biggest hits of the holiday season.

The “Star Wars” spinoff topped the box office, just as it has since opening three weeks ago. “Rogue One” racked up $64.3 million for the four-day holiday weekend. That pushes its North American total to $439.7 million, putting it in second place among last year’s highest-grossing domestic releases. Globally, “Rogue One” has made $774.9 million through Sunday, with China, the world’s second-largest film market, yet to open.

Disney, which released “Rogue One” through its Lucasfilm banner, has four of the year’s top five domestic earners, including “Finding Dory,” which was the highest-grossing stateside film with $486.3 million. The company had a lot riding on “Rogue One.” It invested roughly $4 billion to the rights to the “Star Wars” canon, with a goal of creating a cinematic universe to rival Marvel’s. “Rogue One” is the first of several planned spinoff films that will exist outside of the main Skywalker family saga. Disney is also readying a film about Han Solo’s origins, with Alden Ehrenreich poised to inherit Harrison Ford’s blaster.


Rogue One A Star Wars Story

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“Sing,” an animated story about a talent competition involving animals, picked up $56.4 million, bringing the film’s domestic total to $180 million. “Sing” is the latest offering from Illumination and Universal. The partners have previously collaborated on “Despicable Me” and last summer’s hit, “The Secret Life of Pets.” What makes Illumination’s accomplishments particularly impressive is that “Sing” cost $75 million to make at a time when most major animated releases carry budgets in excess of $100 million. “Sing” features vocal work from Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, and Taron Egerton, as well as music from the likes of Taylor Swift, Ariana Grande, and Stevie Wonder.

In third place, “Passengers,” a science-fiction romance with Chris Pratt and Jennifer Lawrence, earned $20.7 million over the four days, pushing its domestic gross to $66 million. “Passengers” is being watched closely, because it is the first major greenlight of Tom Rothman’s reign as studio chief at Sony. With a $110 million budget and millions more spent in promotion, “Passengers” is banking on foreign crowds to lift it into the black. To that end, the film caught a break, scoring a release date in China on Jan. 13 — Chinese conglomerate Wanda, an investor on the film, will help with marketing in the Middle Kingdom.

Fox’s “Assassin’s Creed” made $10.8 million over the holiday. The video game adaptation has earned a lackluster $41.9 million since opening over Christmas. With a hefty $125 million budget, it will need foreign audiences to turn out in force if it wants to avoid a write down.

Fox has had more success with “Why Him?,” a mid-budget comedy with Bryan Cranston and James Franco. The film centers on a generational clash between a father who hates his daughter’s boyfriend. It earned $13 million over the four-day holiday and has made $37.5 million domestically.

The end of the year also played host to a slew of awards seekers.  Paramount’s “Fences” has scored among the adult dramas flooding theaters. The August Wilson adaptation is generating Oscar buzz for star and director Denzel Washington, as well as for Viola Davis. Both actors appeared in an acclaimed 2010 Broadway revival of the play. The drama earned $12.7 million over the holiday and has made $32.4 million since debuting three weeks ago in limited release.

Paramount also fielded the religious drama “Silence.” It’s a passion project for Martin Scorsese, who has been trying to bring the story of Jesuits in feudal Japan to the screen for decades. “Silence” earned $110,000 in four locations over the weekend, bringing its total to $337,000. The movie, a cerebral examination of spirituality, will need to get Oscar attention if it wants to resonate with mainstream crowds.

Lionsgate’s “La La Land” is a hit with critics and audiences. The musical reunites Ryan Gosling and Emma Stone, who previously appeared together memorably in “Crazy Stupid Love” and less so in “Gangster Squad.” It earned $12.3 million over the four-day holiday, bringing its gross to $37 million. Along with “Manchester by the Sea” and “Moonlight,” “La La Land” is seen as a leading contender for a best picture statue at the upcoming Academy Awards.

Fox’s “Hidden Figures,” a drama about a team of African-American scientists who calculated flight plans during the early days of the space program, earned an impressive $1.1 million for the four days from just 25 theaters. It goes into wide release next weekend. Octavia Spencer, Janelle Monáe, and Taraji P. Henson star in the historical film.

“Patterson,” Jim Jarmusch’s look at a soulful bus driver, made $88,167 for the long weekend, bringing its gross to $119,657. It is being released by Amazon Studios and Bleecker Street, with Adam Driver starring.

“Live by Night,” a Warner Bros. gangster picture with Ben Affleck, continued to struggle in limited release. The film picked up $50,000 from four theaters for a paltry per-screen average of $12,548. It opens in wide release on Jan. 13.

CBS Films and Lionsgate’s “Patriots Day” earned $200,000 from seven theaters to bring its total to $681,000. The story of the Boston Marathon bombing expands nationally in two weeks.

Roadside Attractions ended the year on a high note. The indie distributor behind “Manchester by the Sea” and “Hello, My Name is Doris” announced that it had its best year ever from a box office perspective with $75.7 million. Its previous highest-grossing year was in 2013 when it took in $44.8 million.

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  2. Peter says:

    I did enjoyed Sing a lot.

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  4. Jack Monte says:

    Let’s not forget that ticket sales are actually down, meaning less attendance, before we starting glowing about this movie or that statistic. Such as $11 Billion blah blah blah. The numbers are high because twice a year for the past three years the ticket prices have risen, especially at major chains like AMC, usually when summer hits and then during the holidays. The studios and theater owners should really worry about the lukewarm content that’s keeping people from going the way they once did. Or lowering prices so audiences don’t feel as cheated when they see something that sub-par. They need films with staying power again, not ones that make most of their money on the first weekend and whimper off in a month. Like the first Beverly Hills Cop which made $100 million in 1984. That’s almost $600 million in today’s dollars. One example of a movie that killed ( on a low budget), had people talking about it for months, repeat viewings, and is property that studios would love to remake or make a sequel to, which of course they tried with a failed pilot two years ago. Name a film from 2016 that would be a project anyone would remake 30 years later.

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  6. It’s probably a long shot, but I would love to see this make it to the $1B mark.

    • loco73 says:

      Maybe not such a long shot…especially as it releases in China…and when it will have its digital release on various streaming services, then whatever revenues from Blu-ray / DVD sales etc. Then again who knows…you can never really predict these things..

    • Keeping it real says:

      I think you are right Patrick. Rogue One though solid has slowed tremendously falling way short of weekend forecasts. It’s not even doing the kinds of international numbers you would have anticipated it doing versus domestic box office. ONE of 3 films in the top ten posting negative drops over the 3 day weekend is not a strong sign. Sorry, that is just mathematical facts speaking. Each of the three, Rogue One, WHY HIM, and Assassin’s Creed, are all probably looking at drops around 60% or greater. Look for SING to be the One at the top of the box office next weekend followed by Underworld5, and Hidden Figures. Rogue One and Fences will probably close out the top5. Passengers and Assassin’s Creed will fall hard and become your first $100+ million dollar flops of 2017. Assassin’s Creed most likely won’t make $3.5 million next weekend.

    • shadowofthedarkside says:

      Long shot? It’s already a virtual certainty.
      $1.1B might even be likely; in the Outer Rim, if you will.
      $1.2B will be the long shot, surely a galaxy too far.
      Remember, it has yet to open in the world’s second largest movie market. Good for maybe $200M.
      TFA made $124M there despite the SW brand not being well known. R1 will be riding on its coattails, and having famous top home stars Donnie Yen and Jiang Wen in major supporting roles will lend it a hyperdrive boost.

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