Act of God review Sean Hayes
Jim Cox

Ash Wednesday, the Christian calendar’s annual reminder of life’s transitory nature, seems a provocative choice for unveiling “An Act of God” at the Ahmanson. But if offense was intended, none need be taken. Faithful and nonbelievers alike should find pleasure, and even food for thought, in the Supreme Being’s admonitions, insights and sheer gags as transcribed by David Javerbaum and presented by Sean Hayes under Joe Mantello’s direction. If you’re anything like the opening night audience, you’ll laugh your ash off.

The premise is simple enough. God has decided to inhabit the person of “Will & Grace” star Hayes — much as He did last year on Broadway with Jim Parsons of “Big Bang Theory” — with the aim of presenting a revised set of Ten Commandments, to clear up all the muddles we’ve found ourselves in since Moses received the Word.

“Thou shalt not take My name in vain” is a holdover — we have to stop assuming divine interest in sporting event outcomes, for instance — but “Thou shalt not tell Me what to do” is a new one. “Don’t tell me what to bless!” God insists. “That goes triple for sneezing.” There’s probably a special place in Hell for critics who reveal too many jokes, but that’s a pretty good example of the method throughout: Hit ’em with some solid advice, and toss in a badump-bump punchline. (God also has a hidden, personal purpose, snuck in as a latter-half bid for seriousness that comes across as more than a little strained.)

For a backdrop, set designer Scott Pask has conjured up an impressive Art Deco-futuristic mashup, with a miniature Hollywood Bowl shell and a set of illuminated “American Idol” steps leading down to…why, it’s a couch, isn’t it? Not unlike the one occupied by Bette Midler as Sue Mengers in “I’ll Eat You Last,” also directed by Mantello.

And Hayes has a lot in common with Midler’s Mengers in his chatty affect, dishing on the truth about the Garden of Eden. The Lord is utterly unembarrased about — and even takes pride in — the plagues he’s inflicted on mankind.  (The lowdown on the Noah story and the Book of Job is especially potent.) Hayes finds a good balance between preening and humility, without which even the Lord God might prove a bit much.

He’s also picked up Dame Edna’s penchant for passive-aggressive audience assaults, merrily waving to Ahmanson balcony dwellers while assuring the higher-paying orchestra they’re the chosen people. The Archangel Michael (David Josefsberg) serves as roving reporter to read spectators’ minds for a contentious Q&A, while Gabriel (James Gleason) remains on stage as a sort of ethereal Ed McMahon, quoting selected Bible passages to spur God’s musings.

Javerbaum owns enough Emmys for writing “The Daily Show” to stage the Last Supper, and fans of the Comedy Central standby will feel right at home with “An Act of God.” The Lord and Jon Stewart prove to be impelled by the same motives — namely, puncturing self-righteousness and calling for fundamental common sense. As exasperated as each becomes with us, we’re reassured there’s hope for us yet if we just behave ourselves.

L.A. Theater Review: 'An Act of God' with Sean Hayes

Ahmanson Theater, 2,074 seats; $130 top. Opened, reviewed Feb. 10, 2016. Runs through March 13. Running time: ONE HOUR, 30 MIN.

Production

Jeffrey Finn, The Shubert Organization, Carl Moellenberg, Roy Putrino, Adam Zotovich, Arielle Tepper Madover, Stacey Mindich, Grove Entertainment, Bob Boyett, Richard Winkler, FG Productions, Marco Gomez, Jay & Cindy Gutterman, Jamie Kaye-Phillips, Corinne Hayoun, Denver Center for the Performing Arts presentation of a play in one act by David Javerbaum.

Creative

Directed by Joe Mantello. Sets, Scott Pask; costumes, David Zinn; lighting, Hugh Vanstone; sound, Fitz Patton; music, Adam Schlesinger; projections, Peter Nigrini; production stage manager, Lora K. Powell.

Cast

Sean Hayes, David Josefsberg, James Gleason.

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