Toby Emmerich Named Warner Bros. Chief Content Officer, Greg Silverman Ousted

Toby Emmerich Warner Bros
Matt Baron/REX/Shutterstock

Warner Bros. is shaking up its executive team, ousting creative development and production chief Greg Silverman and promoting Toby Emmerich to president and chief content officer.

Emmerich previously served as president and COO at New Line Cinema, where he was known for his strong relationships with talent and for guiding horror and raunchy comedy hits to the big screen. He played an integral role in the production of “The Conjuring,” “Horrible Bosses,” “Wedding Crashers,” and the “Lord of the Rings” and “Hobbit” films.

Emmerich’s top deputies at New Line, Richard Brener and Carolyn Blackwood, will now oversee that division, according to sources.

The studio spin is that Silverman is stepping down to launch an independent production company that will work with Warner Bros. Though Silverman was liked personally and signed a three-year contract extension earlier in 2016, top brass at Warner Bros. and its parent company Time Warner had become increasingly concerned about a number of costly film flops that hit theaters while he was running production. Those failures include “Pan,” “In the Heart of the Sea,” and “The Man From U.N.C.L.E.” The company’s leadership was also unhappy with the poor critical reception for “Suicide Squad” and “Batman v Superman: Dawn of Justice,” two DC Comics adaptations intended to kick off an ambitious series of interconnected superhero films.

Silverman did oversee some hits during his tenure, among them “Mad Max: Fury Road” and “American Sniper.”

In a sign of his new power, Warner Bros. said that Emmerich will share green-light authority with Warner Bros. chairman and CEO Kevin Tsujihara to determine which projects are ultimately made by Warner Bros. Pictures Group’s production entities. The promotion elevates him above Sue Kroll, the worldwide marketing and distribution chief. She serves on the green-light committee, but does not have final say on which pictures get made.

Emmerich’s promotion comes as Warner Bros. is trying to rebuild its slate of top franchises. The studio sees DC Comics, Lego-branded animated fare, and “Fantastic Beasts and Where to Find Them” as the three major properties it can build its future around. Though Emmerich is known for his story sense and creative chops, as well as fiscal prudence, he is not widely associated with those large-scale blockbusters. There have been exceptions, such as the J.R.R. Tolkien adaptations and “San Andreas,” but his greatest successes have been mid-budget horror films and comedies.

Emmerich has a close relationship with Tsujihara and is also well-liked by Time Warner chief Jeff Bewkes. The company’s New York leadership likes that Emmerich is seen as low-maintenance. The corporate chiefs have long felt there was too much infighting going on at the Hollywood operation and that it reflected poorly on the company.

After Tsujihara took over Warner Bros. in 2013, he instituted a tripartite structure that had Silverman, Kroll, and Emmerich serving as co-equals. But some directors and producers privately complained that this egalitarianism led to a clashing of egos and left the studio without the strong creative direction it needed.

Warner Bros. will invest in Silverman’s new venture, sources tell Variety. The company believes that the former production chief has valuable relationships with Chinese players and a wide network of contacts.

Emmerich will continue to be the final authority at New Line and will remain in charge at Warner Bros. Theatre Ventures, the company’s live stage play division.

The executive shuffle with Silverman and Emmerich also comes at a time of great corporate upheaval. Time Warner recently announced that it had reached a deal to sell itself to AT&T for $85.4 billion. That pact still needs regulatory approval.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 12

Leave a Reply


Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. dnno1 says:

    You know, I sit here reading these comments and realized that there are a bunch of misinformed people out there. For the past three years under Kevin Tsujihara, Warner Bros has been one of the top three studios in market share and is the largest home video distributor in the industry. Even though DVD sales are declining, Warner Brothers has made moves (under Tsujihara) to offer their content in other formats (i.e. streming media, Video On Demand, et. al.). Based on that, there’s is nothing to warrant his ousting.

  2. NO says:

    Studio needs someone who knows what she’s doing.

  3. Sylvia says:

    Tsujihara’s era has made Warner Brothers suffer both financially and artistically. He’s a flop. It’s obvious there needs to be a purge in Burbank.

  4. Kaiju For-Usa says:

    Didn’t Kevin Tsujihara work his way up from Home Video, a WB division that is all but defunct?

  5. harry georgatos says:

    The mob at Warner bros have lost the plot with failure after failure. The head of the snake has to be cut off with Ken Tsuighara, are man who simply has no understanding of the nuance of sophisticated Hollywood blockbusters. THE DARK KNIGHT trilogy is a masterpiece because it was in the wise guiding hands of an auteur film-maker in Christopher Nolan. Tsuijhara should have been the first sacking in a studio that has become clueless in how to handle their DC property. SUICIDE SQUAD needed to be a heavy duty R-rating and not have been put together like a 2 hour non-stop trailer! This Fujihara should stick to his culture because the level of DC movies at this point in time is at the bottom of the ladder compared to most Marvel films!

    • BillUSA says:

      Marvel could have done a better job with it’s rival DC Comics. That “Batman vs. Superman” flop was unbearable. As a Batman fan when I was a kid in the 1960’s, it was my genuine disappointment that Ben Affleck was announced as Bruce Wayne/Batman. But he wasn’t the worst part of that mess. I liken the finished product to that of a decent cinema school project.

  6. Timely Comment says:

    Yakko and Wakko did this change? Dot’s gonna see how it turns out…

  7. Bas says:

    It the AT&T-TimeWarner merger transition we are all witnessing… Greatness!

  8. DougW says:

    Why do people in show business and sports get two/three year contract extensions just before they’re fired?

  9. TheIndustry says:

    Good step forward but doesn’t solve their main problem. Fire Kevin Tsujihara!

  10. ted says:

    Studio needs someone who knows what he’s doing. No damn flighty director doing Batman

  11. Ican'tbelievittookthislong says:

    Not surprised about the ousting, but being replaced by the New Line guy? Yikes, that’s gotta sting.

More Film News from Variety