Q&A: Why Leonardo DiCaprio Was Excited to Work in Silence on ‘The Revenant’

Last week, Leonardo DiCaprio earned his sixth Academy Award nomination, this time for his grueling, almost wordless performance in “The Revenant.” While much has been made of the difficultly of playing frontiersman Hugh Glass in Alejandro G. Inarritu’s film, DiCaprio spoke at Variety’s screening series about how he wouldn’t trade the experience for anything.

What was it that drew you to the project? 

It was the attachment of Alejandro to the film. In some respects I think we all knew what we were signing up for. I had seen this script floating around the industry for some while, but logistically it was so hard to execute. And it took a very particular filmmaker. I felt it was going to be like going down the heart of darkness together. And so much of our experience, so many of the things that happened to us while we were there immersing ourselves in the wilderness like this, I think translated into the narrative of the story.

There had to have been days when you said, “What did I sign up for?”

There were so many monumental undertakings in this film; we could talk at great length at the bear sequence, the horse sequence, the bison sequence, the rapids sequence, fighting with Tom Hardy, who is like a bear in his own right. But most of the stuff was so meticulously planned out. We would rehearse all day long, and every single department needed to work like a Swiss watch. It was like creating a small play every day, and doing live theater for an hour and a half in natural light. But sometimes it was just “Glass walks up a hill” — and the bear fur weighs 120 pounds wet, and I’m freezing my ass off, and it became some of the most difficult stuff to do in the movie.

Was conveying anguish with no voice even more difficult than some of the physical stuff?

I knew this was going to be somewhat of a silent performance; that’s part of what was exciting. But more than anything, I think I learned a lot about being an actor on this movie. It has a lot to do with trust. Trusting the people you’re working with, giving yourself over to a unique process, and trusting that if the people you’re working with are committed like Alejandro, you can focus on being in the moment and rely on your instincts and trust the journey.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 6

Leave a Reply

6 Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. jeb1 says:

    Amazing performance

  2. L says:

    Total eclipse

  3. Argos Wolf says:

    Leo will finally get his Oscar…for the wrong movie. When it comes to merit it should be given to Cranston for Trumbo, suberb job. But the issue of Leo not having his Oscar has turned into the elephant in the room and so, he shall get it. Remember, Oscars are about popularity and not deservement.

    • Lisa Schmied says:

      Totally agree with Argos Wolf – it may be Leo’s year – he really deserves an Oscar, but Bryan had the best performance in my opinion… for me either would be fine :D

    • ThatGuyWhoCommentedRightNow says:

      Cranston’s performance borderlines with one from a TV movie. Good, not more than that. If Leo doesn’t get it this time, I think Fassbender would be the deserving winner. As long as it’s between two of them, I’m happy.

  4. Thanks for the Article Jenelle. Very insightful to Leo’s journey while filming. I can’t wait to see it.

More Film News from Variety

Loading