TV Review: ‘Wayward Pines’

Wayward Pines TV Review
Courtesy of Fox

Adapted from Blake Crouch’s novels with an M. Night Shyamalan-directed pilot, “Wayward Pines” suggests various series – “Twin Peaks” and “Lost” come to mind – but may owe its closest debt to “The Prisoner,” the 1960s cult favorite that featured a spy confined in a strange village from which there appeared to be no exit. Perfectly suited to a 10-part limited run, this Fox show has capitalized on its concentrated approach to cast the project to the hilt, with the disclaimer that viewers shouldn’t become too attached to anyone. All told, it’s a solid TV version of summer popcorn fare.

Matt Dillon stars as Ethan Burke, a Secret Service agent pursuing leads on two missing colleagues in the idyllic, titular Idaho town. The assignment is complicated by the fact that one of the wayward agents is his former partner, Kate (Carla Gugino), with whom he had an affair.

Burke awakens from a car accident in the hospital, where Melissa Leo plays the creepiest nurse this side of “One Flew Over the Cuckoo’s Nest.” Pretty quickly, he realizes there’s no way to call out of the town, seemingly no escape and a brutal authoritarian regime in place – including a ruthless, ice-cream-eating sheriff (Terrence Howard) – that doesn’t tolerate dissent. “It’s fear that keeps everyone in line,” he’s told.

Ethan befriends a local bartender (Juliette Lewis), but there are nagging questions of who can be trusted. And that also applies to Ethan’s increasingly agitated wife (Shannyn Sossamon), who doesn’t receive much help from her husband’s bosses in seeking information regarding his whereabouts.

Everything about “Wayward Pines” is tense and spooky from the get-go (Chad Hodge adapted the project for TV), down to the old-fashioned rotary phones, which certainly plays into Shyamalan’s strengths as a filmmaker. It’s in finishing off his projects where his feature career has been on a downward trajectory ever since “The Sixth Sense” and “Unbreakable.”

The advantage of a close-ended format is that it allows for teasing out the threads and unfolding clues – is it an experiment? Supernatural? Something akin to “The Truman Show?” – with the promise that audiences won’t be forced to wander in the wilderness for too long awaiting answers.

That said, the cat-and-mouse game begins to become a bit tiresome in the later episodes (five were previewed), before the fifth offers a fairly concrete explanation regarding what’s going on – although even that, seemingly, should be viewed with skepticism, given the unseen forces manipulating and controlling the inhabitants.

Fox did luck out in one respect with Howard’s post-“Empire” involvement, which the network has been eager to tout in its advertising. Still, he’s just one part of an impressive ensemble of players, including Toby Jones and Hope Davis, topped by Dillon, whose slow-healing face lacerations must have been a makeup department nightmare.

The elaborate kickoff campaign also includes a global preview of the pilot, and plenty of promotion within “American Idol,” all of which should help put the program on the map – wherever that is. The limited time investment involved means “Wayward Pines” isn’t “Lost,” despite the mysterious similarities, and that’s probably a good thing. Because based on half the journey, for those with a taste for such fare, it looks like a show worth finding.

TV Review: 'Wayward Pines'

(Series; Fox, Thurs. May 14, 9 p.m.)


Filmed in Vancouver by Blinding Edge Pictures, De Line Pictures and Storyland in association with FX Prods.


Executive producers, Donald De Line, Ashwin Rajan, Chad Hodge, M. Night Shyamalan; co-executive producer, Rob Fresco; producer, Ron French; director, Shyamalan; writer, Hodge; based on the novels by Blake Crouch; camera, Amelia Vincent; production designer, Curt Beech; editors, Elizabeth Kling, Michael Ruscio; music, Charlie Clouser; casting, David Rubin. 60 MIN.


Matt Dillon, Melissa Leo, Carla Gugino, Toby Jones, Shannyn Sossamon, Terrence Howard, Charlie Tahan, Reed Diamond, Juliette Lewis, Tim Griffin, Hope Davis

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  1. Paul I. says:

    Im pretty sure we will be finding put here soon prb episode 5 maybe 6 this show is actually taken place in the future . Remember bevery said she has been there since 2001 no one ages . U Bet You It Is And we will be watching the second half of the season of them living the future and how to escape back to the present its all a government controlled govt. I gaurente it
    770 374 2452

  2. kenchun24 says:

    The pilot was solid. I like the cast. We’ll see if it progresses well. Cool to see Matt Dillon heading up a series as Special Agent Dale Coop…oops, I mean Special Agent Ethan Burke.

    Nothing will ever be Twin Peaks again except for (hopefully) Twin Peaks 2016. Lynch and Frost’s baby will always be a perfect mix of dream state surrealism, stylistic soap tropes (and acting), off beat humor, and neo-noir murder mystery mashup that somehow works so well even to this day.

    Not to mention the Lynchian nightmarish occult creepiness mythos and imagery from Twin Peaks that sticks in your brain forever (The Black Lodge and BOB).

  3. Chris says:

    Wait, so they are going to do all three books across ten episodes or just season one is book one and then go from there depending on how successful it is? Assuming they wait until the last episode or two to reveal the true twist, sure hope the second season happens otherwise, boy talk about blue balls! Having read all three, first one was the best and reading that Pam (Melissa Leo) is creepy makes me happy. Such a messed up character in the books but fun to see what she’d do next.

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