TV Review: ‘Chicago Med’

Chicago law dick wolf
Elizabeth Sisson/NBC

NBC and Dick Wolf are certainly giving Chicago’s Big Shoulders a workout, adding a third by-the-numbers procedural to what’s being dubbed a “trilogy,” one loosely connected, inasmuch as what happens at “Chicago Med” can organically cross over with “Chicago Fire” and “Chicago P.D.” A strong cast is put in service of a fairly mundane drama, one with strong echoes of “ER” that’s perhaps a hair better than CBS’ “Code Black.” Clearly, the network has tapped into a durable niche – having already renewed “Med’s” brethren for next season – but its Second City shows are decidedly second tier.

The producers certainly don’t waste any time in squeezing in the obligatory cameo by Chicago Mayor Rahm Emanuel, who appears right up front at a dedication for the city’s new (albeit fictional) state-of-the-art trauma center. Before that ceremony’s over, though, a train will derail, with new ER doc Connor Rhodes (Colin Donnell) conveniently on board.

Rhodes finally makes it to his new job, where – with chaos all around them – he engages in the following exchange with his new boss (“Law & Order” veteran S. Epatha Merkerson), which provides a pretty good road map for the dialogue and situations that follow. “Is every day like this?” he asks. “Some days we’re busy,” she replies.

Character details drip out during the pilot, but as is customary in these shows, they emerge through the prism of the patients and those who pass through their professional orbits. In that respect, the big moral dilemma involves a surrogate mother who is badly injured in the train crash, leaving the parents of her not-yet-viable fetus to mull over her fate.

It’s possible to admire the competence of “Chicago Med’s” execution – and little moments, with Oliver Platt as the gentle chief of psychiatry – while at the same time feeling as numb as if a strong sedative were being administered. Nevertheless, it’s hard to completely fault NBC, after some ostentatious failures with more ambitious dramas, for following CBS into what amounts to the franchise business, dishing out pizza, even if the dish isn’t particularly deep.

Wolf, obviously, has experience presiding over multiple shows, given “Law & Order’s” storied history, and considering the solid ratings for its siblings, there’s no reason to bet against “Chicago Med,” which NBC is launching behind “The Voice” – the Nielsen equivalent of an adrenaline shot. That said, the tired nature of the material suggests this could be one of those TV operations that’s hard to deem a complete success even if the patient lives.

TV Review: 'Chicago Med'

(Series; NBC, Tue. Nov. 17, 9 p.m.)


Filmed in Chicago by Wolf Films in association with Universal Television.


Executive producers, Dick Wolf, Andrew Schneider, Diane Frolov, Matt Olmstead, Michael Brandt, Derek Haas, Danielle Gelber, Arthur Forney, Peter Jankowski; co-executive producers, Stephen Hootstein, Michael Waxman; supervising producer, Eli Talbert; producers, Charles Carroll, Jeff Drayer, Simran Baidwan, Will Pascoe, David Weinstein; director, Waxman; writers, Andy Dettman, Schneider, Frolov; camera, Lex DuPont; production designer, Craig Jackson (pilot), Gary Frutkoff; editors, David Siegel; music, Atli Orvarsson; casting, Jonathan Strauss. 60 MIN.


S. Epatha Merkerson, Yaya DaCosta, Torrey DeVitto, Rachel DiPillo, Colin Donnell, Nick Gehlfuss, Brian Tee, Oliver Platt

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  1. Dunstan says:

    These three Dick Wolf shows are boring, redundant and lame reminders of 1960s television. And I don’t mean that in a good way.

    This is exactly why people gravitate to pay television programs like “Homeland,” “The Americans,” “Fargo” and numerous others.

    Standard issue tv is the equivalent of a coma.

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  3. bsbarnes says:

    The Chicago Trilogy of Dick Wolf has produced CHICAGO P.D., which is the best police procedural in years; Season Three continues with sharp characterization and brisk pacing! Don’t count Wolf out.

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