Film Review: ‘Condemned’

'Condemned' Review: Eli Morgan Gesner's Low
RLJ Entertainment

This forgettable low-budget horror pic marks the feature debut of Sean Penn and Robin Wright's daughter Dylan Penn.

The sort of Z-grade oddity Troma used to churn out for a faithful audience, the all-too-aptly-titled “Condemned” won’t find the cult following it desperately craves in today’s crowded marketplace. This proudly repulsive pic often feels like a student filmmaker’s audition reel for a “Saw” sequel, though the ample blood and guts on display stems from a viral outbreak rather than torture. Lacking any discernible selling points, the Nov. 13 day-and-date theatrical and digital release will go largely unnoticed.

The paper-thin plot involves a spoiled young New Yorker (Dylan Penn, daughter of Sean and Robin Wright) running away from home to shack up with her lowlife b.f. (Ronen Rubinstein) in a condemned apartment building on the Lower East Side. The various residents include drug addicts, fetishists and shut-ins, and soon enough everyone is infected with a virus that leads to bodies covered by boils and mind-altering hallucinations. Cue the carnage.

Writer-director Eli Morgan Gesner (a clothing designer and skateboarder who previously helmed the skateboarding and hip-hop doc “Concrete Jungle”) could have milked the premise for gleeful counterculture exploitation (like a 21st-century “Basket Case”) or campy John Waters-style gross-out comedy, but settles for mean-spirited banality. There’s a vague sense that “Condemned” aims to be a lament for a grimier, bygone era of urban living — which surfaces explicitly in an acid-dripped monologue that co-star Lydia Hearst (daughter of Patty) levels at Penn’s bland heroine as a knife sticks out of her eye — but it’s hard to be charitable about Gesner’s intentions while his contemptible characters are successively obliterated for cheap laughs.

From the hyperactive camerawork to muddled sound design, tech credits are (perhaps appropriately) low-rent, though Brian Spears’ revolting special makeup effects would fit in nicely in a superior production.

In a coincidence that surely means nothing to anyone, the pic arrives a mere week after the opening of cheapie action sequel “The Condemned 2.”

Film Review: 'Condemned'

Reviewed online, West Hollywood, Nov. 10, 2015. Running time: 83 MIN.


A RLJ Entertainment release of a Caliber Media presentation. Produced by Dallas Sonnier, Jack Heller, Jason Sokoloff. Executive producers, Adam Schatz.


Directed, written by Eli Morgan Gesner. Camera (color, HD), Richard Henkels; editor, Aaron Crozier, Zach Wolf; music, Daniel Davies, Sebastian Robertson; production designer, Rayna Savrosa; art director, Amorino Bortolin; set decorator, Perry Mateson, Cian Murray; costume designer, Stacey Berman; sound, Jesse Flaitz; sound designer, Pete Serenita; special effects makeup, Brian Spears; visual effects supervisor, Pete Sussi; visual effects, Platinum Platypus; stunt coordinator, Drew Leary; associate producer, Gregory Zuk; assistant director, Alejandro Ramia; casting, Matthew Maisto.


Dylan Penn, Ronen Rubinstein, Genevieve Hudson-Price, Honor Titus, Lydia Hearst, Jon Abrahams, Kevin Smith Kirkwood, Perry Yung, Johnny Messner, Jordan Gelber, Anthony Chisholm, Nick Damici, Michel Gill, Shawn Christensen.

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  1. Roma says:

    Who khows what metal track plays on 12′ of movie (not trailer)?

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