Sundance Film Review: ‘I’ll See You in My Dreams’

Ill See You in My Dreams

Blythe Danner gives a deeply felt performance as a widow slowly embracing the challenges of old age in this pleasant romantic dramedy.

The challenge of finding pleasure, companionship and personal fulfillment in one’s twilight years gets thoroughly pleasant, poignant screen treatment in “I’ll See You in My Dreams,” a sweetly handled romantic dramedy that has the great virtue of featuring Blythe Danner in an all-too-rare leading role. As a Los Angeles widow making room in her solitary existence for two new friendships, each one holding out the possibility of something more, Danner makes an elegant, warmly sympathetic heroine in this sometimes broadly played but always tender and appealing effort. Writer-director Brett Haley’s second feature (after 2010’s “The New Year”) breaks no new ground but has all the trappings of a modest crowdpleaser, if properly marketed toward the older audiences who turned “The Best Exotic Marigold Hotel” into a sizable specialty hit.

When her dog becomes ill and has to be put down, retired schoolteacher Carol Petersen (Danner) becomes more acutely aware of the loneliness that has slipped into her comfortable yet unvaried routine. She spends much of her time playing cards and gossiping with her three best friends— played with appreciable sass by June Squibb, Rhea Perlman and Mary Kay Place — who encourage her to put herself back on the market, even if it means subjecting herself to the cringe-inducing experience of speed dating (in one of the film’s earlier gags). Carol, after all, still has her looks and her figure, as a handsome passerby named Bill (Sam Elliott) notes with undisguised admiration. Though she hasn’t even thought about seeing anyone since her husband died 20 years ago, Carol allows herself to accept the man’s compliment — and, later, an invitation to lunch.

But initially, at least, Carol seems to forge a similarly promising if far less conventional connection with Lloyd (Martin Starr), the much younger man hired to clean her swimming pool. While you can rest assured that sly metaphor will be milked for maximum comic effect down the road, there’s nothing here that will offend delicate sensibilities (well, except maybe the ugly in-house rodent that keeps skittering out into the open and frightening Carol out of her wits, a recurring source of comic alarm). Her sweet odd-couple bond with Lloyd, lubricated by many glasses of wine, emerges not just from loneliness but from a mutual sense of vague discontent with the idea that this might be all that life has to offer.

Lloyd, as played by Starr with his typically awesome deadpan-nerd appeal, once aspired to be a poet, but now lives at home with his mom and does menial work for a living. Carol’s life, although not without its satisfactions, has also seen its fair share of compromises, including the premature interruption of a promising singing career. Music naturally becomes a shared outlet for both of them, starting with a karaoke night where Carol’s quavering yet still beautiful voice impresses the crowd, and building to a final passage that makes the meaning of the film’s title movingly clear.

Presented with a level of polish that belies its low, Kickstarter-funded budget, “I’ll See You in My Dreams” works well enough as a smooth, emotionally effective blend of easy, generous laughs and lovely romantic interludes — grounded at every step by Danner’s calmly radiant, deeply felt performance, in which we see Carol emerging into greater awareness of the uncertainty of the future and the importance of appreciating every fleeting moment. And indeed, Haley and Marc Basch’s script is nothing if not a succession of moments to savor, where what matters isn’t the fairly predictable narrative destination so much as the simple pleasure of spending time in these characters’ company.

A little of that company can admittedly go a long way where Carol’s friends are concerned. Mercifully, the requisite old-biddies-getting-high gag makes for a genuinely amusing scene rather than the eye-rolling cliche it could have been, due in part to Squibb’s crack delivery (crack being an adjective in that instance) and Perlman and Place’s equally sharp timing. As for Carol’s scenes with Lloyd and especially Elliott’s Bill — courting her with a twinkle in his eye that’s at once randy, affectionate and deeply sincere — they’re suffused with such effortless, free-flowing chemistry that they never feel like time wasted.

Malin Akerman makes a mid-film appearance as Carol’s daughter, Katherine, who stops by L.A.to pay her mother a visit. Their scenes together are brief, but quite revealing of the ways in which even thoughtful, loving children can often take their parents for granted. In placing the viewer’s identification entirely with Carol — and giving the perpetually underexposed Danner a richly deserved showcase, her best since her impressive supporting turn in 2012’s “Hello I Must Be Going” — Haley’s film emerges an appreciable exception to the rule that Hollywood has no place for women of a certain age. Call it conventional filmmaking, perhaps, but it could hardly be considered the norm.

Sundance Film Review: 'I'll See You in My Dreams'

Reviewed at Sundance Film Festival (Premieres), Jan. 27, 2015. Running time: 85 MIN.

Production

A Two Flints production in association with Jeff Rice Films, Northern Lights Films. Produced by Rebecca Green, Laura D. Smith, Brett Haley. Executive producers, Jason Howard, Mary Katherine Crosland, Erik Rommesmo, Jeff Schlossman, Bill Wallwork.

Crew

Directed, edited by Brett Haley. Screenplay, Haley, Marc Basch. Camera (color), Rob C. Givens; music, Keegan DeWitt; production designer, Eric Archer; set decorator, Julie O’Leary; costume designer, Mirren Gordon-Crozier; sound, Anthony Enns; sound designer/re-recording mixer, Zach Seivers; visual effects, the Render Guys; assistant director, Chad Rosen.

With

Blythe Danner, Martin Starr, Sam Elliott, Malin Akerman, June Squibb, Rhea Perlman, Mary Kay Place.
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 10

Leave a Reply

10 Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. CoffeeLover says:

    I too am wondering why a male dog is named Hazel. And he most assuredly is male; he in shown eating his breakfast in profile on the first morning of the film. Still puzzled.

  2. Rebecca Mills says:

    Thank you for your thoughtful and positive review of this gentle, subtle, unapologetic movie that this 64 year old single woman thoroughly enjoyed. Blythe Danner really nailed it, the entire cast was wonderful.

  3. Ellen Kagan says:

    I love Blythe Danner. That is why I went to this movie. She is a consummate actress. However, I hated this movie. She plays a woman who has really no reason to give up on life and I hated her friends – no purpose except playing cards and golfing. And they were not even old. As for Danner’s role, she ended up doing exactly what she always does – going on a trip and replacing her dog. Nothing really changed for the better. And I hated Lloyd, her pool guy. So without life and a positive attitude. They were all so depressing and I was glad when the movie ended.

    • lindsey says:

      I am so with you! The teaser of giving her an interesting man for all of two dates and then the cliche ending….hated it

  4. if the dog was named hazel why was it referred to as he throughout the movie?

  5. Fred Watson says:

    I guess you have to be over 60 to really appreciate the depth and profundity of this movie. It captured the isolation that retirees experience when they are delivered to “holding tanks” to keep them from causing traffic problems and forgetting where they live. Yes, it includes several stereotypes (retirees are loaded with money, out of touch with their families, unable to handle technology and awkward about any “modern” form of relationship) because this is how they are depicted in the media and in the marketplace. If we keep describing them in this manner, we will continue to perceive them in this manner. Note to people under 60: grow up.

    Question for those who have seen the picture: Why did Carol select the particular dog that she did at the end of the movie? Hint: it is consistent with her plans to visit New York and to continue her friendship with Lloyd the pool cleaner. Think about it.

  6. regina buckwalter says:

    Don’t understand all the fuss about this movie, filled with cliches, i.e. that older people are silly, lonely, out of touch, bored. I was insulted by the depiction of elders in this movie. The most interesting relationship was with Carol and the Lloyd which was unexpected, sensitive and respectful. I saw little chemistry between Carol and Bill; she seemed awkward and embarrassed in his presence.
    I wish Hollywood would show the wisdom, sensitivity,humor, courage and adventuresome spirit of the
    “other ” elders that are also part of this present culture and not just the stereotypes we want to laugh at and feel sorry for.

  7. Susan Friedman says:

    Warm excellent movie.

  8. This film was great! FIVE STAR!

    I cannot say enough great things about this story.

    The writing, the clothing, the décor the reality and the lovely not overdone love that Carol and Bill AND Hazel and Carol,shared.
    Its a must see !
    Blythe Danner was terrific!
    I want to watch it again!
    Its calm, and funny and loving and real-

    write more !

  9. WOW. We need to have more minds like Brett Haley writing and directing films. Not only funny but moving you thru life. This is a MUST SEE Film. Hats off to the cast, and Blythe Danner, never fails to get it right. At 70, you young lady are AMAZING.

More Film News from Variety

Loading