Sundance Film Festival Titles 2016
Courtesy of Sundance Film Festival

The latest films by returning Park City alums So Yong Kim, Antonio Campos, Jeff Baena and Chad Hartigan; timely documentaries on gun control, abortion rights and the rise of ISIS; and a romantic drama about Barack and Michelle Obama’s first date are among the 65 features set to make their world premieres in the U.S. dramatic and documentary competitions at the 2016 Sundance Film Festival.

Those titles were unveiled today by Sundance director John Cooper and director of programming Trevor Groth, along with the films in the World Cinema dramatic and documentary slates and Next, a sidebar devoted to cutting-edge, low-budget work. Cumulatively, the lineup — consisting of 120 features, 98 of which are world premieres — is indicative of “a great step forward for independent film,” Cooper said. “Everyone’s understanding craft so much better. There’s a changing face to what a documentary is and what it can do in the end. People are experimenting in genre in really interesting ways.”

Several of those genre-bending titles will screen in the always-buzzy U.S. dramatic competition, among them “The Free World,” Jason Lew’s thriller-love story starring Boyd Holbrook and Elisabeth Moss; “Swiss Army Man,” Daniel Scheinert and Daniel Kwan’s two-hander about a drifter (Daniel Radcliffe) who befriends a dead body; “White Girl,” Elizabeth Wood’s film about a young woman trying to bail out her drug-dealer b.f.; and Meera Menon’s boiler-room drama “Equity,” touted as the first movie to focus on the women of Wall Street.

Menon and Wood are two of five female directors selected for the 16-film dramatic competition. Actress Clea DuVall makes her directing debut with the couples therapy movie “The Intervention,” while Sian Heder (a writer on “Orange Is the New Black”) will bring her first feature, “Tallulah,” a comedy-drama starring Ellen Page as a young woman trying to protect another woman’s baby by passing it off as her own. So Yong Kim, previously in the dramatic competition with “In Between Days” and “For Ellen,” will return with “Lovesong,” a relationship drama starring Jena Malone and Riley Keough.

Sundance 2016 U.S. Competition Titles

Offering further encouraging signs of diversity in the dramatic competition, in front of and behind the camera, are “The Birth of a Nation,” writer-director-star Nate Parker’s portrait of the slave rebellion leader Nat Turner; “Southside With You,” Richard Tanne’s account of the Obamas’  first date in Chicago in 1989; and “Spa Night,” writer-director Andrew Ahn’s tale of a closeted young Korean-American exploring his sexuality at Korean spas in Los Angeles.

“I think we’re at a place where audiences are really telling us what they’re up for,” Cooper added, “and I think they’re up for a lot more than we’re giving them a lot of the time.”

Also set to screen in the dramatic competition: “As You Are,” Miles Joris-Peyrafitte’s tale of three teenagers as filtered through the prism of a police investigation; “Other People,” Chris Kelly’s drama starring Jesse Plemons as a struggling gay comedy writer returning to the family homestead; and “Goat,” Andrew Neel’s drama of male identity set against the college fraternity scene.

Jeff Baena, in competition last year with his debut, “Life After Beth,” will return with his sophomore feature, “Joshy,” while Chad Hartigan, who scored a critical hit with his 2013 Next entry, “This Is Martin Bonner,” graduates to the big leagues with “Morris From America.” Antonio Campos, in competition with 2012’s “Simon Killer,” will be back with “Christine,” starring Rebecca Hall as Christine Chubbuck, the TV broadcast reporter who infamously committed suicide on the air in 1974.

In a stroke of programming synchronicity, the Chubbuck story is also at the heart of Robert Greene’s “Kate Plays Christine,” one of 16 films making their premieres in the U.S. documentary competition. Due to subject matter alone, the most attention-grabbing nonfiction entries are likely to include “Jim,” Brian Oakes’ portrait of the ISIS-slain American journalist James Foley; “Newtown,” Kim A. Snyder’s look at the people of Newtown, Conn., in the aftermath of the Sandy Hook shootings; “Trapped,” Dawn Porter’s film about abortion clinics coming under fire; and “Audrie & Daisy,” Bonni Cohen and Jon Shenk’s look at online bullying among teenagers.

The documentary competition will also feature a number of profiles, such as Jeff Feuerzeig’s “Author: The JT LeRoy Story,” about the faux literary personality; Clay Tweel’s “Gleason,” about former NFL player Steve Gleason’s struggle with ALS; and Josh Kriegman and Elyse Steinberg’s “Weiner,” about the scandal-plagued political career of Anthony Weiner.

Sundance 2016 World Competition Titles

Groth said festival-goers should expect a “wild range of tones and styles” in the World Cinema dramatic competition, which will unspool 12 titles including Belgian director Felix van Groeningen’s “Belgica,” about two brothers who start a successful bar; Indian filmmaker Q’s “Brahman Naman,” about a Bangalore U. quiz team taking a cross-India road trip; and “The Lure,” a musical-horror-love story from Polish director Agnieszka Smoczynska.

The announcement of the Sundance 2016 lineup coincides with a flurry of awards buzz for titles from this year’s edition, such as “The Diary of a Teenage Girl,” “The End of the Tour,” “Mississippi Grind” and “99 Homes.” Two of the festival’s biggest critical hits, “Tangerine” and “James White,” made their premieres in Next, suggesting that plenty of eyes will be focused on that sidebar in January. Among the titles set to bow there are “Dark Night,” Tim Sutton’s drama loosely based on the movie theater shooting in Aurora, Colo.; “The Land,” Steven Caple Jr.’s portrait of teenage skateboarders in Cleveland, Ohio; and “First Girl I Loved,” a high-school lesbian romance directed by Kerem Sanga (“The Young Kieslowski”).

The festival will forego a single opening-night film and kick off with screenings of three competition titles: “Other People” (U.S. dramatic), “Belgica” (World Cinema dramatic) and Kevin Macdonald’s “S​ky Ladder: The Art of Cai Guo-­Qiang​” (World Cinema documentary).

The Sundance Film Festival, which runs Jan. 21-31, will announce its New Frontier lineup on Thursday and its Premieres and Documentary Premieres films on Monday. The nine films selected for the festival’s Midnight program were announced on Nov. 22.

The full lineup:

U.S. DRAMATIC COMPETITION

The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.

“As You Are​” (Director: Miles Joris­-Peyrafitte, Screenwriters: Miles Joris­-Peyrafitte, Madison Harrison) — The telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation. C​ast: Owen Campbell, Charlie Heaton, Amandla Stenberg, John Scurti, Scott Cohen, Mary Stuart Masterson.

“The Birth of a Nation” (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. C​ast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.

“Christine​” (Director: Antonio Campos, Screenwriter: Craig Shilowich) — In 1974, a female TV news reporter aims for high standards in life and love in Sarasota, Fla. Missing her mark is not an option. This story is based on true events. C​ast: Rebecca Hall, Michael C. Hall, Maria Dizzia, Tracy Letts, J. Smith-­Cameron.

“Equity​” (Director: Meera Menon, Screenwriter: Amy Fox) — A female investment banker, fighting to get a promotion at her competitive Wall Street firm, leads a controversial tech IPO in the post-­financial-­crisis world, where regulations are tight but pressure to bring in big money remains high. C​ast: Anna Gunn, James Purefoy, Sarah Megan Thomas, Alysia Reiner.​

“The Free World” (Director and screenwriter: Jason Lew) — Following his release from a brutal stretch in prison for crimes he didn’t commit, Mo is struggling to adapt to life on the outside. When his world collides with Doris, a mysterious woman with a violent past, he decides to risk his newfound freedom to keep her in his life. C​ast: Boyd Holbrook, Elisabeth Moss, Octavia Spencer, Sung Kang, Waleed Zuaiter.

“Goat” (Director: Andrew Neel, Screenwriters: David Gordon Green, Andrew Neel, Michael Roberts) — Reeling from a terrifying assault, a 19-­year-­old boy pledges his brother’s fraternity in an attempt to prove his manhood. What happens there, in the name of “brotherhood,” tests both the boys and their relationship in brutal ways. C​ast: Nick Jonas, Ben Schnetzer, Virginia Gardner, Danny Flaherty, Austin Lyon.

“The Intervention​” (Director and screenwriter: Clea DuVall) — A weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an intervention on their marriage. ​Cast: Melanie Lynskey, Cobie Smulders, Alia Shawkat, Clea DuVall, Natasha Lyonne, Ben Schwartz.

“Joshy” (Director and screenwriter: Jeff Baena) — Josh treats what would have been his bachelor party as an opportunity to reconnect with his friends.​ Cast: Thomas Middleditch, Adam Pally, Alex Ross Perry, Nick Kroll, Brett Gelman, Jenny Slate.

“Lovesong” (Director: So Yong Kim, Screenwriters: So Yong Kim, Bradley Rust Gray) — Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.​ Cast: Jena Malone, Riley Keough, Brooklyn Decker, Amy Seimetz, Ryan Eggold, Rosanna Arquette.

“Morris From America​” (U.S.-Germany / Director and screenwriter: Chad Hartigan) — Thirteen­-year-­old Morris, a hip­-hop-loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor­-turned­-confidant, and attempts to navigate the unique trials and tribulations of adolescence. C​ast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszal, Levin Henning.​

“Other People” (Director and screenwriter: Chris Kelly) — A struggling comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother. Living with his conservative father and younger sisters, David feels like a stranger in his childhood home. As his mother worsens, he tries to convince everyone (including himself) he’s “doing OK.” C​ast: Jesse Plemons, Molly Shannon, Bradley Whitford, Maude Apatow, Zach Woods, June Squibb. (Day One film)

“Southside With You​” (Director and screenwriter: Richard Tanne) — A chronicle of the summer afternoon in 1989 when the future president of the United States of America, Barack Obama, wooed his future First Lady on an epic first date across Chicago’s South Side.​ Cast: Tika Sumpter, Parker Sawyers, Vanessa Bell Calloway.

“Spa Night” (Director and screenwriter: Andrew Ahn) — A young Korean-­American man works to reconcile his obligations to his struggling immigrant family with his burgeoning sexual desires in the underground world of gay hookups at Korean spas in Los Angeles.​ Cast: Joe Seo, Haerry Kim, Youn Ho Cho, Tae Song, Ho Young Chung, Linda Han.

“Swiss Army Man” (Directors and screenwriters: Daniel Scheinert, Daniel Kwan) — Hank, a hopeless man stranded in the wild, discovers a mysterious dead body. Together the two embark on an epic journey to get home. As Hank realizes the body is the key to his survival, this once­-suicidal man is forced to convince a dead body that life is worth living. ​Cast: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead.​

“Tallulah” (Director and screenwriter: Sian Heder) — A rootless young woman takes a toddler from a wealthy, negligent mother and passes the baby off as her own in an effort to protect her. This decision connects and transforms the lives of three very different women. Cast: Ellen Page, Allison Janney, Tammy Blanchard, Evan Jonigkeit, Uzo Aduba.

“White Girl” (Director and screenwriter: Elizabeth Wood) — Summer, New York City: A college student goes to extremes to get her drug-dealer boyfriend out of jail. C​ast: Morgan Saylor, Brian “Sene” Marc, Justin Bartha, Chris Noth, India Menuez, Adrian Martinez.

U.S. DOCUMENTARY COMPETITION

The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.

“Audrie & Daisy” (Directors: Bonni Cohen, Jon Shenk) — After two high-school girls in different towns are sexually assaulted by boys they consider friends, online bullying leads each girl to attempt suicide. Tragically, one dies. Assault in the social media age is explored from the perspectives of the girls and boys involved, as well as their torn-­apart communities.

“Author: The JT LeRoy Story” (Director: Jeff Feuerzeig) — As the definitive look inside the mysterious case of 16­-year-­old literary sensation JT LeRoy — a creature so perfect for his time that if he didn’t exist, someone would have had to invent him — this is the strangest story about story ever told.

“The Bad Kids” (Directors: Keith Fulton, Lou Pepe) — At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-­risk students command of their own futures. This coming­-of­-age story watches education combat the crippling effects of poverty in the lives of these so-­called “bad kids.”

“Gleason” (Director: Clay Tweel) — At the age of 34, Steve Gleason, former NFL defensive back and New Orleans hero, was diagnosed with ALS. Doctors gave him two to five years to live. So that is what Steve chose to do: Live — both for his wife and newborn son and to help others with this disease.

“Holy Hell” (Director: undisclosed) — Just out of college, a young filmmaker joins a loving, secretive, spiritual community led by a charismatic teacher in 1980s West Hollywood. Twenty years later, the group is shockingly torn apart. Told through hundreds of hours of accumulated footage, this is their story.

“How to Let Go of the World (and Love All the Things Climate Can’t Change​)” (Director: Josh Fox) — Do we have a chance to stop the most destructive consequences of climate change, or is it too late? Academy Award­-nominated director Josh Fox (“Gasland”)​ travels to 12 countries on six continents to explore what we have to let go of — and all of the things that climate can’t change.

“Jim​” (Director: Brian Oakes) — The public execution of American conflict journalist James Foley captured the world’s attention, but he was more than just a man in an orange jumpsuit. Seen through the lens of his close childhood friend, “J​im” ​moves from adrenaline-­fueled front lines and devastated neighborhoods of Syria into the hands of ISIS.

“Kate Plays Christine” (Director: Robert Greene) — This psychological thriller follows actor Kate Lyn Sheil as she prepares to play the role of Christine Chubbuck, a Florida television host who committed suicide on air in 1974. Christine’s tragic death was the inspiration for “N​etwork,” ​and the mysteries surrounding her final act haunt Kate and the production.

“Kiki” (U.S.-Sweden / Director: Sara Jordeno) — Through a strikingly intimate and visually daring lens, “K​iki” o​ffers insight into a safe space created and governed by LGBTQ youths of color, who are demanding happiness and political power. A coming­-of-­age story about agency, resilience, and the transformative art form of voguing.

“Life, Animated​” (Director: Roger Ross Williams) — Owen Suskind, an autistic boy who could not speak for years, slowly emerged from his isolation by immersing himself in Disney animated movies. Using these films as a roadmap, he reconnects with his loving family and the wider world in this emotional coming-­of-­age story.

“Newtown” (Director: Kim A. Snyder) — After joining the ranks of a growing club no one wants to belong to, the people of Newtown, Conn., weave an intimate story of resilience. This film traces the aftermath of the worst mass shooting of schoolchildren in American history as the traumatized community finds a new sense of purpose.

“NUTS!​” (Director: Penny Lane) — The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-­testicle impotence cure and a million-watt radio station. Animated re-enactments, interviews, archival footage, and one seriously unreliable narrator trace his rise from poverty to celebrity and influence in 1920s America.

“Suited” ​(Director: Jason Benjamin) — Bindle & Keep, a Brooklyn tailoring company, makes custom suits for a growing legion of gender­-nonconforming clients.

“Trapped” ​(Director: Dawn Porter) — American abortion clinics are in a fight for survival. Targeted Regulation of Abortion Providers (TRAP) laws are increasingly being passed by states that maintain they ensure women’s safety and health, but as clinics continue to shut their doors, opponents believe the real purpose of these laws is to outlaw abortion.

“Uncle Howard”​ (U.S.-U.K. / Director: Aaron Brookner) ​— H​oward Brookner’s first film, “B​urroughs: The Movie,​”captured the cultural revolution of downtown New York City in the early ’80s. Twenty­-five years after his promising career was cut short by AIDS, his nephew sets out to discover Howard’s never-­before-­seen films to create a cinematic elegy about his childhood idol.

“Weiner” (Directors: Josh Kriegman, Elyse Steinberg) — With unrestricted access to Anthony Weiner’s New York City mayoral campaign, this film reveals how a high-­profile political scandal unfolds behind the scenes, and it offers an unfiltered look at how much today’s politics are driven by an appetite for spectacle.​

WORLD CINEMA DRAMATIC COMPETITION

The 12 films in this section are world premieres unless otherwise specified.

“Belgica” (Belgium-France-Netherlands / Director: Felix van Groeningen, Screenwriters: Felix van Groeningen, Arne Sierens) — In the midst of Belgium’s nightlife scene, two brothers start a bar and get swept up in its success. C​ast: Stef Aerts, Tom Vermeir, Charlotte Vandermeersch, Helene De Vos. (Day One film)

“Between Sea and Land”​ (Colombia / Directors: Manolo Cruz, Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. C​ast: Manolo Cruz, Vicky Hernandez, Viviana Serna, Jorge Cao, Mile Vergara, Javier Saenz.

“Brahman Naman” (U.K.-India / Director: Q, Screenwriter: S. Ramachandran) — When Bangalore U.’s misfit quiz team manages to get into the national championships, they make an alcohol-­fueled, cross-­country journey to the competition, determined to defeat their arch­rivals from Calcutta while all desperately trying to lose their virginity. C​ast: Shashank Arora, Tanmay Dhanania, Chaitanya Varad, Vaiswath Shankar, Sindhu Sreenivasa Murthy, Sid Mallya.

“A Good Wife​” (Serbia-Bosnia-Croatia / Director: Mirjana Karanovic, Screenwriters: Mirjana Karanovic, Stevan Filipovic, Darko Lungulov) — When 50-­year-­old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in. C​ast: Mirjana Karanovic, Boris Isakovic, Jasna Djuricic, Bojan Navojec, Hristina Popovic, Ksenija Marinkovic.

“Halal Love (and Sex)” (Lebanon-Germany-United Arab Emirates / Director and screenwriter: Assad Fouladkar) — Four tragic yet comic interconnected stories come together in this film, which follows devout Muslim men and women as they try to manage their love lives and desires without breaking any of their religion’s rules. Cast: Darine Hamze, Rodrigue Sleiman, Zeinab Khadra, Hussein Mokadem, Mirna Moukarzel, Ali Sammoury. (International premiere)

“The Lure” (Poland / Director: Agnieszka Smoczynska, Screenwriter: Robert Bolesto) — Two mermaid sisters, who end up performing at a nightclub, face cruel and bloody choices when one of them falls in love with a beautiful young man. C​ast: Marta Mazurek, Michalina Olszanska, Jakub Gierszal, Kinga Preis, Andrzej Konopka, Zygmunt Malanowicz. (International premiere)

“Male Joy, Female Love​” (China / Director and screenwriter: Yao Huang) — Portrays an unlimited cycle of love stories. C​ast: Nand Yu, Daizhen Ying, Xiaodong Guo, Yi Sun.

“Mammal​” (Ireland-Luxembourg-Netherlands / Director: Rebecca Daly, Screenwriters: Rebecca Daly, Glenn Montgomery) — After Margaret, a divorcee living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex­husband’s grieving rage. C​ast: Rachel Griffiths, Barry Keoghan, Michael McElhatton.

“Mi amiga del parque​” (Argentina-Uruguay / Director: Ana Katz, Screenwriters: Ana Katz, Ines Bortagaray) — Running away from a bar without paying the bill is just the first adventure for Liz (mother to newborn Nicanor) and Rosa (supposed mother to newborn Clarisa). This budding friendship between nursing mothers starts with the promise of liberation but soon ends up being a dangerous business. C​ast: Julieta Zylberberg, Ana Katz, Maricel Alvarez, Mirella Pascual, Malena Figo, Daniel Hendler. (International premiere)

“Much Ado About Nothing” (Chile / Director: Alejandro Fernandez, Screenwriters: Alejandro Fernandez, Jeronimo Rodriguez) — An upper-­class kid gets in trouble with the one percent.​ Cast: Agustin Silva, Alejandro Goic, Luis Gnecco, Paulina Garcia, Daniel Alcaino, Augusto Schuster.

“Sand Storm”​ (Israel / Director and screenwriter: Elite Zexer) — When their entire lives are shattered, two Bedouin women struggle to change the unchangeable rules, each in her own individual way. C​ast: Lamis Ammar, Ruba Blal­Asfour, Hitham Omari, Khadija Alakel, Jalal Masrwa.

“Wild” (Germany / Director and screenwriter: Nicolette Krebitz) — An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net. C​ast: Lilith Stangenberg, Georg Friedrich.

WORLD CINEMA DOCUMENTARY COMPETITION

The 11 films in this section are world premieres unless otherwise specified. A 12th film will be announced in the weeks ahead.

“All These Sleepless Nights​” (Poland / Director: Michal Marczak) — What does it mean to be truly awake in a world that seems satisfied to be asleep? Christopher and Michal push their experiences in life and love to the breaking point as they restlessly roam the streets of Warsaw in search for answers.​

“A Flag Without a Country​” (Iraq / Director: Bahman Ghobadi) — This documentary follows the very separate paths of singer Helly Luv and pilot Nariman Anwar from Kurdistan, both in pursuit of progress, freedom, and solidarity. Both individuals are a source of strength to their society, which perpetually deals with the harsh conditions of life, war, and ISIS attacks. (N​orth American premiere)

“Hooligan Sparrow​” (China-U.S. / Director: Nanfu Wang) — Traversing southern China, a group of activists led by Ye Haiyan, aka Hooligan Sparrow, protest a scandalous incident in which a school principal and a government official allegedly raped six students. Sparrow becomes an enemy of the state, but detentions, interrogations and evictions can’t stop her protest from going viral.

“The Land of the Enlightened​” (Belgium / Director: Pieter-­Jan De Pue) — A group of Kuchi children in Afghanistan dig out old Soviet mines and sell the explosives to child workers in a lapis lazuli mine. When not dreaming of an Afghanistan after the American withdrawal, Gholam Nasir and his gang control the mountains where caravans are smuggling the blue gemstones.

“The Lovers and the Despot​” (U.K. / Directors: Robert Cannan, Ross Adam) — Following the collapse of their glamorous romance, a celebrity director and his actress ex-­wife are kidnapped by movie­-obsessed dictator Kim Jong-­il. Forced to make films in extraordinary circumstances, they get a second chance at love — but only one chance at escape.

“Plaza de la Soledad” (Mexico / Director: Maya Goded) — For more than 20 years, photographer Maya Goded has intimately documented the lives of a close community of prostitutes in Mexico City. With dignity and humor, these women now strive for a better life — and the possibility of true love.

“The Settlers” (France-Canada-Israel-Germany / Director: Shimon Dotan) — The first film of its kind to offer a comprehensive view of the Jewish settlements in the West Bank, “The Settlers” is a historical overview, geopolitical study, and intimate look at the people at the core of the most daunting challenge facing Israel and the international community today.

“S​ky Ladder: The Art of Cai Guo-­Qiang​” (Director: Kevin Macdonald) — Having reached the pinnacle of the global art world with his signature explosion events and gunpowder drawings, world-­famous Chinese contemporary artist Cai Guo­-Qiang is still seeking more. We trace his rise from childhood in Mao’s China and his journey to attempt to realize his lifelong obsession, Sky Ladder. (Day One film)

“Sonita​” (Germany-Iran-Switzerland / Director: Rokhsareh Ghaem Maghami) — If 18­year­old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000. (North American premiere)

“We Are X” ​/ (U.K.-U.S.-Japan / Director: Stephen Kijak) — As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.

“When Two Worlds Collide​” (Peru / Directors: Heidi Brandenburg, Mathew Orzel) — An indigenous leader resists the environmental ruin of Amazonian lands by big business. As he is forced into exile and faces 20 years in prison, his quest reveals conflicting visions that shape the fate of the Amazon and the climate future of our world. W​orld Premiere

NEXT

The 10 films in this section are world premieres and from the U.S., unless otherwise specified.

“The 4th​” (Director and screenwriter: Andre Hyland) — It’s the Fourth of July in Los Angeles, and Jamie, a broke illustrator who is behind on his rent, tries to throw a cookout while his overbearing roommate is out of town, but everything seems to go wrong. C​ast: Andre Hyland, Johnny Pemberton, Eliza Coupe, Yasmine Kittles, Anna Lee Lawson, Paul Erling Oyen.

“Dark Night” (Director and screenwriter: Tim Sutton) — A suburban landscape plays witness to the inevitable, unfolding events that culminate in a Cineplex massacre. Over the course of one day, from sunrise to midnight, six strangers — the shooter among them — share in this new American nightmare. C​ast: Robert Jumper, Anna Rose, Rosie Rodriguez, Karina Macias, Aaron Purvis, Eddie Cacciola.

“The Eyes of My Mother​”(Director and screenwriter: Nicolas Pesce) — A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life. C​ast: Kika Magalhaes, Will Brill, Paul Nazak, Flora Diaz, Clara Wong, Diana Agostini.

“First Girl I Loved” (Director and screenwriter: Kerem Sanga) — Seventeen­-year-­old Anne just fell in love with Sasha, the most popular girl at her L.A. public high school. But when Anne tells her best friend, Clifton — who has always harbored a secret crush on her — he does his best to get in the way. C​ast: Dylan Gelula, Brianna Hildebrand, Mateo Arias, Jennifer Prediger, Tim Heidecker, Pamela Adlon.

“The Fits” (U.S.-Italy / Director: Anna Rose Holmer, Screenwriters: Anna Rose Holmer, Saela Davis, Lisa Kjerulff) — In this psychological portrait, Toni, an 11­-year-­old tomboy, is assimilating into a tight-­knit dance team in Cincinnati’s West End when a mysterious outbreak of fainting spells plagues the team, and her desire for acceptance is twisted. C​ast: Royalty Hightower, Alexis Neblett, Da’Sean Minor, Lauren Gibson, Makyla Burnam, Inayah Rodgers. (North American premiere)

“How to Tell You’re A Douchebag” (Director and screenwriter: Tahir Jetter) — This romantic comedy follows a misogynist who falls in love. C​ast: Charles Brice, DeWanda Wise, William Jackson Harper, Alexander Mulzac, Jenna Williams, Tonye Patano.

“Jacqueline (Argentine)” (Director and screenwriter: Bernardo Britto) — A young French woman hires a man to document her self­imposed political asylum in Argentina after supposedly leaking highly confidential government secrets. Cast: Camille Rutherford, Wyatt Cenac, James Benson, Martin Anderson, Sarah Willis, Enrique Dura.

“The Land” (Director and screenwriter: Steven Caple Jr.) — Four teenage boys devote their summer to escaping the streets of Cleveland, Ohio, by pursuing a dream life of professional skateboarding. But when they get caught in the web of the local queenpin, their motley brotherhood is tested, threatening to make this summer their last. C​ast: Jorge Lendeborg Jr., Moises Arias, Rafi Gavron, Ezri Walker, Erykah Badu, Michael K. Williams.

“Operation Avalanche” (U.S.-Canada / Director: Matt Johnson, Screenwriters: Matt Johnson, Josh Boles) — In 1967, four undercover CIA agents were sent to NASA posing as a documentary film crew. What they discovered led to one of the biggest conspiracies in American history. C​ast: Matt Johnson, Owen Williams, Josh Boles, Ray James.

“Sleight” (Director: J.D. Dillard, Screenwriters: J.D. Dillard, Alex Theurer) — After a young street magician is left to care for his little sister following their mother’s passing, he turns to dealing drugs, but quickly runs into trouble with his supplier. When his sister gets kidnapped, he must rely on his smarts and sleight-of-hand to save her. C​ast: Jacob Latimore, Dule Hill, Seychelle Gabriel, Storm Reid, Sasheer Zamata, Cameron Esposito.

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