Box Office: ‘The Hateful Eight’ Scores Sizzling Per-Screen Average

The Hateful Eight
Courtesy of The Weinstein Co.

Quentin Tarantino’s “The Hateful Eight” has grossed a solid $5.66 million in four days at 100 screens in 70mm showings — a sizzling $56,600 per-screen average. The Weinstein Co. is expanding to 1,958 digital locations on Wednesday.

Pre-shows for the Western drama are starting Tuesday evening and TWC will expand “The Hateful Eight” further on Thursday.  The current 100 select theaters will continue showing the film in the Roadshow 70mm format.

“To see this film open at over $56,000 per screen in an amazingly crowded holiday box office has us all incredibly excited,” said TWC President of Distribution Erik Lomis. “While we are beyond thrilled with the limited release numbers, the demand from moviegoers to see this film has exceeded our capabilities in 70mm, so we’re greatly looking forward to bringing it to more theaters and cities and give Tarantino fans across the country the chance to experience this brilliant, intensely fun piece of filmmaking.”

The opening number for “The Hateful Eight” is the best by far for a debut in the 90 to 110-screen range during the past five years, according to Rentrak. The previous high in the category was 2011’s “Kevin Hart: Laugh at Me,” which opened with $1.9 million at 98 locations.

“The Hateful Eight” ended the weekend in 10th place at the U.S. box office with an impressive $4.6 million at 100 venues in 44 U.S. markets — the largest 70mm release in the last 20 years. Some theaters experienced projection problems, but TWC insists that the technical issues “were rare and far between,” occurring at less than than 1% of the weekend showings.

The movie is coming into a marketplace that’s been dominated by “Star Wars: The Force Awakens,” which hauled $571.4 million in its first 11 days. Paramount’s comedy “Daddy’s Home” has led the rest of the pack and outperformed expectations with $45.1 million in its first four days.

Paul Dergarabedian, senior media analyst with Rentrak, said box office prospects are bright for “The Hateful Eight.”

“It’s been a killer (pun intended) in its 70 mm debut, the question is whether that will translate to continued support in its expanded digital showings,” he added. “I think it will and its the only wide release newcomer nationally in the marketplace and that will play in its favor.”

Paramount is launching Charlie Kaufman’s animated “Anomalisa” on Wednesday in four locations in New York and Los Angeles. It’s been nominated for a Golden Globe for best animated film and won the audience award at this year’s Venice Film Festival.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 3

Leave a Reply


Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. Jim says:

    The per average theater gross in a limited release doesn’t mean much. It’s always highly inflated. Steve Jobs had a high per screen average and then flopped in wide release.

  2. Christian Denton says:

    I traveled to the Irvine Spectrum theatre in Irvine, CA to see this on Sunday, a sold out show. I left after five minutes. What was being touted as a 70mm widescreen presentation in a video I watched on YouTube featuring Sam Jackson, et al, expounding on the glories of past films to be shown in the format, was indeed being projected on 70mm film, but on a tiny screen, in clearly one of this theatre’s smaller auditoriums. I find it amazing that they would book this there, vetting the projection equipment but not the screen size. I got my money returned for my ticket, but unfortunately not the gas. I’m glad I didn’t need to drive a stagecoach.

  3. Hanshotfirst1138 says:

    Had the genuinely privilege of seeing he roadshow engagement. If celluloid has to go, this sure takes it out with a bang. I doubt that it’ll mean much for future film distribution, but it’s fun to dream.

More Film News from Variety