‘Star Wars: The Force Awakens’ Trailer Narrowly Misses One-Day Traffic Record

The force is in full effect for the seventh installment of the Star Wars franchise, “Star Wars: The Force Awakens” due out in December.

Since its broadcast premiere on “Monday Night Football,” the first official trailer has accumulated an estimated 37 million global YouTube views in its initial 24 hours, less than 1 million behind the film’s second teaser trailer released in April, which still holds the record for the highest YouTube view count of the year.

But the trailer dominated the competition based on Digital Audience Ratings (DAR), which measures other major digital platforms including YouTube. One day post-release, “Star Wars” nearly doubled the cross-platform digital engagement generated by films like “Suicide Squad” and “Batman v Superman,” while also tripling the first teaser trailer back in November.

It was the strength of this cross-channel activity that led “Star Wars: The Force Awakens” to shatter the first day ticket pre-sale record, previously held by “The Hunger Games”.

Each week Variety publishes ListenFirst Digital Audience Ratings (DAR)™ Film, a measurement of fan engagement across all the major digital platforms as it relates to film (see the TV version here). Provided by ListenFirst Media, DAR™ – Film measures what entertainment content is resonating most across Facebook, Google+, Instagram, Tumblr, Twitter, YouTube and Wikipedia combined. For more on the methodology behind DAR™, scroll to the bottom of the article.

Digital Audience Ratings (DAR)™ Film
Weekly Top 5 Wednesday Oct 14, 2015 – Tuesday Oct 20, 2015

RANK LAST WEEK FILM RATING(000)
1 Star Wars: The Force Awakens 32,699
2 The Boy 4,881
3 The Night Before 4,591
4 1 Steve Jobs 2,718
5 Goosebumps 2,635

Key
First time on the chart
Pinnacle Rank

Trending Wednesday Oct 14, 2015 – Tuesday Oct 20, 2015

FILM RATING(000) % CHANGE
The Boy 4,881 +198,548%
Race 2,391 +54,796%
The Letters 21 +13,932%

 

Jason Klein is the Co-Founder and Co-CEO of ListenFirst Media, a data and analytics company providing insights for brands. ListenFirst aggregates data streams from a wide range of digital, social, and traditional marketing sources to help brands optimize business performance.

Methodology:

ListenFirst Digital Audience Ratings (DAR)™ Film are a raw aggregate of daily engagements based on owned, earned and organic consumer behavior on Facebook, Google+, Instagram, Tumblr, Twitter, Wikipedia and YouTube. These engagements encompass metrics pertaining to audience growth, page/profile views, page-level and post-level interactions, hashtag volume and Wikipedia page views for all film pages (which provides a proxy for organic search volume).

Organic conversation volume is calculated based on the use of official hashtags, as well as those hashtags submitted directly from distributors. Only hashtags where conversation can be isolated to a specific film are included in the rating.

The Variety Weekly Top 5 and Trending leaderboards for film represent the 7-day (Wednesday – Tuesday) sum total of DAR™ for all US Domestic Films that have been publicly announced and slated for a commercial theatrical release. Films are rated daily from initial public announcement through 4 weeks post home entertainment street date. Festival films and other films not slated for a commercial theatrical release are excluded from this ranking cohort but available to be rated directly by ListenFirst Media.

The Trending leaderboard surfaces the three films that tracked the largest relative growth in DAR™ (from the previous 7-day measurement period), and are also in the top 25% based on absolute DAR™.

ListenFirst monitors the official digital account owned by the film on each aforementioned platform (except for Wikipedia, where the title-specific profile is considered official). Only the U.S. version of a film’s digital presence is monitored; for platforms that support regional profiles like Facebook, the “Global” profile is considered the U.S. profile. Only profiles that can be attributed to the specific film contribute to the rating (i.e. engagements that happen on the profile facebook.com/ArgoMovie are tracked, while engagements that happen on facebook.com/WarnerBrosPictures are not). For YouTube, in addition to any film-specific presence, content related to the film in question that originated on the parent company’s official YouTube channel is considered.

For other questions pertaining to methodology, contact ListenFirst Media.

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