NBC To Fly With ‘Peter Pan’ As Turnaround Takes Root

NBC Fly With 'Peter Pan' Turnaround

TCA session illustrates new level of confidence at Peacock on heels of 'Blacklist,' 'Sound of Music Live'

NBC Entertainment chairman Bob Greenblatt came to the Television Critics Assn. session on Saturday with a slew of programming announcements, none more anticipated than the decision to make “Peter Pan” its next live musical production.

“Peter Pan” will air Dec. 4, with “Sound of Music Live” exec producers Craig Zadan and Neil Meron back at the helm.

“Get ready for flying children and state-of-the-art effects,” Greenblatt told the scribes during his exec Q&A in Pasadena. And he hinted that they are already closing in on a male actor to play the title role. He noted that the role in the musical version has often been played by a woman — but not always (“Hint, hint,” he told reporters.)

The interest among journos in the live musical announcement was indicative of the importance of the runaway success of the Dec. 5 “Sound of Music Live” telecast to the network.

Internally, it’s seen as the strongest evidence that the turnaround at NBC is well on its way. Even more than a hot series, which NBC has fielded this year in “The Blacklist,” the fact that the Peacock could get people to show up for a one-time special event indicates that viewers are paying renewed attention to NBC. The 19 million-plus viewer turnout for “Sound of Music Live” vastly exceeded internal projections, and that has been a huge confidence boost for network execs.

To wit, Greenblatt seemed more relaxed and less defensive than in past TCA appearances. He joked easily with NBC Entertainment prexy Jennifer Salke and Paul Telegdy, president of latneight and alternative programming, who joined him on stage.

“I’ve always said the turnaround would take three to five years,” Greenblatt said. “We’re just beginning year three and we have some real momentum this year.”

Thursday night is NBC’s single-biggest trouble spot this year. Greenblatt acknowledged that the heavily revamped comedy block is struggling, particularly “The Michael J. Fox Show” and “Sean Saves the World.” But with some prodding from reporters, Greenblatt went “out on a limb” and confirmed “Parks and Recreation” will be renewed for a seventh season, which marks a turnaround for the show that was expected to be in its final season.

“We’re really unhappy that we can’t find an audience for (‘Michael J. Fox’ and ‘Sean’) in those time periods,” he said. He left open the door to scheduling shifts.

Greenblatt mostly dodged questions about the prospect of NBC landing a Thursday package of NFL games that the league is shopping to networks at present. “We’d love to have more NFL games,” he said. “Thursday night games might be really interesting to us.”

The NBC topper was asked about his feelings on pilots and the pilot season process, which has running theme of TCA this year ever since Fox’s Kevin Reilly made a strong statement about bypassing tradition this year.

“I actually love pilots,” Greenblatt said, noting that NBC’s frosh drama success this season, “The Blacklist,” would not have been as strong a property without the refinement that comes with producing a pilot. But he agreed with Reilly’s assertion that more development should be spread out beyond the January-April pilot season.

“If we can make (pilots) off cycle and get a star no one else has — that’s half the battle,” he said.

The other hot topic this week has been the wrangling over “stacking” rights governing the availability of episodes on VOD and SVOD platforms. Greenblatt echoed the sentiments of his peers in hoping for some kind of industry-standard templates will emerge in the coming months.

“I don’t think it will ever be uniform (for all networks),” he said. The calculations about how many episodes to make available on other platforms and when “are all very complicated issues that we are discussing every day. In six months it’ll be probably different than it is today.”

With NBC’s Jay Leno-to-Jimmy Fallon “Tonight Show” transition less than a month away, Greenblatt took advantage of the TCA soapbox to profess the network’s appreciation for its long-serving host. NBC has faced much criticism that it is prematurely dethroning Leno, who signs off Feb. 6, the night before NBC’s Winter Olympics coverage begins. Fallon moves into the show on Feb. 17, when “Tonight” will air for a week following Olympics telecasts. Seth Meyers moves into Fallon’s old job on “Late Night” on Feb. 24.

“To Jay Leno and (exec producer) Debbie Vickers, thank you for making TV history and for doing it with class on NBC,” Greenblatt said. After the Q&A session, Greenblatt said he hoped Leno would stay in biz with NBC but that there have been no specific discussions.

Among the other programming news from the session:

** NBC has given a 10-episode order to “Wizard of Oz”-themed fantasy drama “Emerald City,” exec produced by Matt Arnold and Josh Friedman for Universal TV.

** The eight-hour miniseries “The Slap,” based on an Australian series, has been greenlit. Jon Robin Baitz is writing for Universal TV.

** Two more pilot orders: Drama “State of Affairs,” starring Katherine Heigl as the CIA attache who gives the president the daily security briefing. Joe Carnahan, who helmed “The Blacklist” pilot, is writing and directing. Comedy “Old Soul” will be produced by “Parks and Rec” star Amy Poehler and star Natasha Lyonne as a woman who tries to find herself while working as an aide to the elderly. Both pilots hail from Univeral TV.

** Poehler has also inked a three-year overall producing pact with Universal TV.

** The final guests on Leno’s “Tonight Show” will be Billy Crystal (his first guest when he began in 1992) and Garth Brooks.

** NBC is proceeding with plans for a variety-show special hosted by “Saturday Night Live” alum Maya Rudolph. It will air by the end of this season and serve as a backdoor pilot.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 10

Leave a Reply


Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. Stacey K. says:

    Only if he can act because they wouldn’t want to repeat having a Country/Pop singer take on a theatrical role he/she can’t handle BUT stating that I think HUNTER HAYES might make a good Peter Pan. He has the voice & youthful appeal but can his vocal pipes sustain the grueling rehearsals & live performance needed to do musical theatre. And start working with an acting coach today!!!

  2. Just Confused says:

    Why did DANIEL RADCLIFFE’s name just “fly” through my mind?

    • ThomT says:

      Radcliffe really wouldn’t be a terrible choice but he seems to be steering his career away from younger audiences. He did much better than expected during the Broadway revival of “How To Succeed In Business Without Really Trying”. His singing is more than adequate for the “Peter Pan” score and his theatrical experience (“Equus”, “How To…” And “The Cripple of Inishmaan”) is proof that he knows his way around a stage.

  3. Ken from Toronto says:

    Due to my extremely visceral reaction watching NBC’s “The Sound Of Music Live”, I’ll be sure to avoid catching “Peter Pan”. Once bitten, twice shy…

  4. Karen C says:

    Well here’s hoping they get the casting right this time and DON’T go with a “Pop” singer who can barely act. If they’re going to redo a classic, do it right! Rumor is they’re thinking of a male for the part of Peter? To my knowledge the role has always been played by woman. The worst version was probably with Mia Farrow… very forgetable. At least we know Carrie Underwood is out! I could live quite happily without her staring her way through ANOTHER of my favorite musicals.

  5. Judy says:

    I don’t understand why you would waste money mounting a new production of this with probably people I have never heard of in the cast, when you have in your vaults the wonderful Mary Martin/Cyril Richard version, which has not been seen on TV in many years.

    Why can’t you get things out of your vault and show them again? Whatever you have to do to clear the music rights or other legal bullshit, has got to be less money and problems than mounting a new version. There are so many wonderful things in your vaults, I’m sure, old TV musicals, dramas, comedies. Hasn’t the proliferation of nostalgia TV channels shown you that there is a market for these old things, especially if there are some long dead but beloved actors in them? I can’t understand why you don’t recycle these, like the BBC does on a regular basis with their old stuff.

    • ThomT says:

      Gaining rights would probably not be difficult or expensive due to age. Aside from that I just don’t see today’s audience accepting how low tech the original production, regardless of how wonderful we might have found it in our youth, really was. I personally think it is a poor choice but NBC was looking for family entertainment and with all of the variations that there have been on the story of “Peter Pan” through the years it is really multi-generational in appeal. I think casting could ultimately be the deciding factor in the success of the production and, with lots of solid roles for both children and adults, each performer if selected carefully could help the overall audience tally. The key however, will be in the casting of Peter and that will be very very tricky – personally I would cast an unknown and surround him/her with popular names to avoid the dissatisfaction many (but not me) found with Carrie Underwood. Both the Mary Martin TV production and the Cathy Rigby stage performance are available on DVD.

  6. I wonder how much of The Sound of Music audience were regular theatregoers. It can’t been that high since the reach of broadcast TV vastly outnumbers theatre. Like to know if NBC did any demographic or other research on who watched the show. Anyone out there with info, let me know. Thanks

  7. Steph says:

    Unfortunately, the Peter Pan score is not very good. Certainly not in the same league with Sound of Music. Be great to see a male play Peter, however.

  8. Stacey K. says:

    I love live musicals and technically “The Sound of Music Live” was amazing but hope they learned their lesson from choosing a pop singer with no professional theatre experience. I pray they’re not thinking about casting Justin Bieber to play Peter Pan!!!

More TV News from Variety