Broadway Review: ‘Holler If Ya Hear Me’ With Songs by Tupac Shakur

Holler If Ya Hear Me review

Despite its soaring performances, this musical treatment of the works of Tupac Shakur places its searing source material in service of a generic gangland saga.

Here’s the big question that should be on the minds of the producers of “Holler If Ya Hear Me”: Now that we’ve built it, will they come? The quick answer: Maybe. Maybe not. Depends on the marketing campaign. That’s the gamble investors took on this musical treatment of works left behind by Tupac Shakur, the now-sainted rap artist who died at the age of 25 in a 1996 drive-by shooting. Despite a clunky book, this show is on fire. But it’s going to be a hard sell with traditional auds, and can the real fans spring for Broadway ticket prices?

The tuner’s fictional stand-in for Shakur is played by slam poet and performer Saul Williams, as combustible as a stick of dynamite. The musical numbers are so uplifting you’ll think you’re in church. The creatives, including Edward Pierce (sets) and Mike Baldassari (lighting), have contributed some great arena-style stage effects. And by sectioning off 318 orchestra seats, a portion of the Palace Theater has been turned into a talk-back auditorium and hip-hop museum.  So, what’s the problem?

The true believers won’t care about such pedestrian matters as the predictable book and clumsy characterizations. But for less committed theatergoers — who might yet indulge because they had a good time at “In the Heights” and “Bring in ‘da Noise, Bring in ‘da Funk” and those rappers and hip-hop artists they discovered at the Public — here’s what you need to know.

The music (arranged, orchestrated and supervised by Broadway man of steel Daryl Waters for a 10-piece orchestra) is terrific: percussive, propulsive, insistently danceable and surprisingly tuneful. But the performers are so overly miked that the lyrics are almost unintelligible. This won’t matter to hardcore fans who have memorized and taken to heart every blessed word of their idol’s literary output. But for the rest of the house, who showed up to hear the writings of a famous street poet, it’s maddening to have to keep scanning everyone in this huge, hard-working cast (some 30 strong, plus a couple of swings) to see whose lips are moving.

The other major drawback is that the story told in Todd Kreidler’s book isn’t the story we want to hear. It’s not the life of Tupac Shakur, because the creatives don’t have the rights to his biographical narrative. Instead, it’s the generic tale of a thug named John (Williams) who comes out of prison determined to go straight, only to be drawn back into the violent gang culture of the neighborhood by friends who demand his undying loyalty to the clan philosophy of life-as-war.

Williams is not only a published poet and hip-hop artist (with a degree in philosophy and a musical of his own in the works), but also a performer with ferocious attitude. That makes him a primo interpreter of Shakur, a literary hardass whose lyrical tongue distinguished him within his gangsta-rap milieu.

That fierce sensibility is stamped all over the show, most insistently in “Me Against the World,” “Thugz Mansion” and the incendiary title song, “Holler If Ya Hear Me,” which closes the first act. The drawback, however, is that all that bristling rage feels like overkill for a surly fictional character whose complaints are vague and unspecific. (For the record, Todd Kreidler, who labored over the book, would prefer to think of John’s generic grievances as “universal.”)

Simpatico helmer Kenny Leon (who earned a Tony nom this season for “A Raisin in the Sun”) and choreographer Wayne Cilento (a perennial Broadway presence with “Wicked”) have made shrewd work of placing the individual songs in strategic places in the book. “My Block,” staged as an exuberant dance number for a fresh-faced and vital chorus of inexhaustible singer-dancers, is a dynamic introduction to the tightly knit neighborhood that welcomes John home from prison. The deeply felt “Dear Mama” is beautifully sung by Christopher Jackson, as a reluctant gangbanger who’s not sure he’ll survive his next fight. And “If I Die 2Nite” is the tense anthem of John’s street gang, arming themselves for battle.

But while the musical numbers and sung-through poems fit snugly into the story, the story doesn’t support them.  Unlike “In the Heights,” which celebrated a specific group of people (Dominicans) from a specific neighborhood (Washington Heights) in a specific city (New York), “Holler If Ya Hear Me” observes ill-defined characters inhabiting some indeterminate place and time.

There’s the hero (Williams), his girlfriend (Saycon Sengbloh), the determined warrior (Joshua Boone), the reluctant warrior (Jackson), the baby boy who wants to make his bones (Dyllon Burnside), the token white friend (Ben Thompson), the mad street prophet (John Earl Jelks) and the madonna mother (Tonya Pinkins) — and their friends. The performers are top-of-the-line and the characters literally owe their lives to them. For that matter, the show does, too.

Broadway Review: 'Holler If Ya Hear Me' With Songs by Tupac Shakur

Palace Theater; 1111 seats; $139 top. Opened June 19, 2014. Reviewed June 18. Running time: 2 HOURS, 20 MIN.


An Eric L. Gold, Chunsoo Shin, Jessica Green, Marcy Kaplan Gold, Anita Waxman, and Afeni Shakur production of a musical in two acts with book by Todd Kreidler and lyrics by Tupac Shakur.


Directed by Kenny Leon. Sets, Edward Pierce, with concepts by David Gallo; costumes, Reggie Ray; lighting, Mike Baldassari; sound, John Shivers & David Patridge; projections, Zachary Borovay; hair & wigs, Greg Bazemore; fight direction, Rick Sordelet; music supervision, orchestrations and arrangements, Daryl Waters; musical staging and choreography, Wayne Cilento; production stage manager, Beverly Jenkins.


Saul Williams, Christopher Jackson, Saycon Sengbloh, Ben Thompson, John Earl Jelks, Joshua Boone, Dyllon Burnside, Tonya Pinkins.
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 4

Leave a Reply


Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. definitely go see this play!! Don’t rely on the critics. It was phenomenal!

  2. ZM says:

    I went to see this play on Saturday and I must say that it was “HIGHLY” disappointing. The story line was typical (out of jail thug trying to turn good ,returns to the hood only to find the same ole’ cliche’ story about your boy getting shot and yo’ crew getting revenge.Just released from jail, main character gotta get his hands in revenge, till he gets his epiphany towards the end of the play. The big catch is singing popular Tupac songs/poetry to tell the story and it dose not work. SAVE YOUR MONEY DON’T GO SEE THIS PLAY!!!!!!

  3. John Potash says:

    For the activist life and death of Tupac, see the book and film, The FBI War on Tupac Shakur and Black Leaders.

  4. Susan says:

    Holler If Ya Hear Me is AWESOME ! it depicts anyone’s fight against the demons inside onside to do right and to live from your soul rather than conform to others madness. I found it brilliant, moving, exciting, dancing out of my seat extraordinary! Don’t miss it It makes you think, makes you laugh, makes you cry and most of all makes you remember, “it’s not about black or white”, it’s about being Human” Susan Campochiaro Confrey, CBU Management, Happy I am a Holler Fan!

More Legit News from Variety