Broadway Review: ‘A Night With Janis Joplin’

Night with Janis Joplin review Broadway

This concert-cum-musical isn't much of a bio, but as a celebration of the blues, it rocks

As a musical biography, “A Night With Janis Joplin” is pretty much a bust. The book by Randy Johnson, who also helmed, skims lightly over the singer’s Texas childhood and her tenure with Big Brother and the Holding Company, with nary a word about her personal life or the booze and drugs that cut it short.  But as a concert in which those great ladies of song who were Joplin’s musical inspiration join her on stage, the show is something else — a celebration of the blues and those beautiful bruises they leave on the singer’s soul. 

If Mary Bridget Davies says it once, she says it and sings it a hundred times in her ecstatic star turn:  Janis Joplin loves the blues.  And if you should somehow miss the message, it’s repeated with a visual flair in the luxurious deep blue velvet curtain (with a fringe!) and Justin Townsend’s blue-on-blue lighting scheme, dramatically realized in radiating neon bars and spotlight cones.

And why does Joplin love the blues, exactly?  What act of cruelty cut her to    the bone, and who was it who hurt her so bad?  Better not ask, because there’s not a hint of personal data in the show’s book to enlighten us on that rather critical point. Better just take it on faith from Davies, who looks like Joplin, sings like Joplin, howls like Joplin and has been touring the country in a show and a role-of-a-lifetime that she owns.

It’s not only an amazing perf, it’s also a generous one.  It had better be, because the four women sharing the stage with Davies are delivering death-defying performances.

Taprena Michelle Augustine, De’Adre Aziza, Allison Blackwell, and Nikki Kimbrough sing in flawless tight harmony as members of the girl group Chantels and as Joplin’s own backup singers, the Joplinaires.  But some of the most electrifying moments are call-and-response numbers in which they interact with Davies on the signature songs that inspired Joplin.

Nikki Kimbrough’s sexy, sassy Etta James gets Davies going on “Tell Mama.” Allison Blackwell (who also brings the house down as Aretha Franklin) offers up a spine-chilling “Summertime” that causes Davies to explode with Joplin’s own version.  De’Adre Aziza’s soulful rendering of Odetta’s “Down on Me” inspires an in-kind response from Joplin.

Sometimes the inspiration is more subtle, as with the mournful “Nobody Knows You When You’re Down and Out” delivered by Taprena Michelle Augustine’s suffering Bessie Smith.  Amy Clark’s gorgeous confection of a 1920s fancy-dress costume gives Bessie more dignity than her personal managers.  All the period outfits, for that matter, are meticulously matched to the individual singers, including the plain, but progressively fancy and fancier versions of Joplin’s funky bell bottoms and schmatta tops.

Helmer-scribe Johnson is smart enough not to run these musical pairings into the ground.  Except for dozens of mismatched table lamps scattered about (a mysterious design message, that one), the stage is always nice and clear when it’s time for Davies to hurl herself, body and soul, into one of Joplin’s signature shout-the-house-down songs like  “Piece of My Heart,” “Cry Baby,” “Me and Bobby McGee,” and “Mercedes Benz,” which brings the audience to its feet at the end of the show.

As a concert, the well-wrought production should satisfy any rabid fan of Joplin’s musical brand of the blues.  But for anyone expecting an honest portrait of Janis — or of the hedonistic Sixties era she personified — you can just cry, cry baby.

Broadway Review: 'A Night With Janis Joplin'

Lyceum Theater; 674 seats; $140 top.  Opened Oct. 10, 2013.  Reviewed Oct. 9. Running time:  TWO HOURS, 20 MIN.


A presentation by Daniel Chilewich, Todd Gershwin, Michael Cohl, Jeffrey Jampol, TCG Entertainment, Stephen Tenenbaum, Richard Winkler, Michael J. Moritz, Jr. / Brunish & Trinchero, Ginger Productions, Bill Ham, Claudio Loureiro, Keith Mardak, Ragovoy Entertainment, Bob & Laurie Wolfe / Neil Kahanovitz, Mike Stoller & Corky Hale Stoller, Darren P. DeVerna, Susan DuBow, Tanya Grubich, Jeremiah H. Harris, Jerry Rosenberg / AJ Michaels, and Herb Spivak, in association with the Estate of Janis Joplin and Jeffrey Jampol for JAM, Inc., of a musical in two acts written and directed by Randy Johnson.  Originally produced by Arena Stage and also by the Cleveland Play House.


Sets & lighting, Justin Townsend; costumes, Amy Clark; sound, Carl Casella; projections, Darrel Maloney; hair & makeup, Leah J. Loukas; choreography, Patricia Wilcox; music director & conductor, Ross Seligman; original music, arrangements & direction, Len Rhodes; music coordinator, Howard Joines. 


Mary Bridget Davies, Taprena Michelle Augustine, De'Adre Aziza, Allison Blackwell, Nikki Kimbrough, Alison Cusano, Emmy Raver-Lampman, Kaycee Clanton.

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  1. Mary says:

    I agree totally off the mark review ; )

  2. Nancy says:

    I wish you hadn’t said its a bust. Sometimes your perception of what is enjoyable is way off. How do you account for the audience reaction. Maybe you were the only one expecting her to discuss her drug addiction. But this is a night with Janis talking about her perception her inner self. I think you owe this show an apology.

  3. Christine Lawrence says:

    We saw “A Night With Janis” last Wednesday night, and unanimously agreed that it was outstanding. We were not alone as the rest of the audience was up on their feet throughout the show. The critic reviews are WRONG. This was a well written and superbly performed synopsis of this talented singer’s life. Go see it!

  4. Nancy says:

    I was fortunate enough to see this in previews. It is outstanding. I was not expecting a trip down 60s memory lane. We are spending a night with her. She is talking through her soul. I did not expect to see her od on stage and did not expect her to chat about her drug use. She was there to share her story through her eyes.

    It was a rocking good show. Better than jersey boys.

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