Oscars: With Films Like ‘Gravity,’ Where Does Animation Branch Draw the Line?

Oscars: With Films Like 'Gravity,' Where

Of the year’s 10 top-grossing films, three fit what the Academy celebrates via its 13-years-young animated feature category: “Despicable Me 2,” “Monsters University” and “The Croods.”

But then, what do you call “Iron Man 3,” “Oz the Great and Powerful,” “World War Z” and “Gravity”? Each of those more-digital-than-not blockbusters could be “animated” enough to fit the Acad’s definition, “in which movement and characters’ performances are created using a frame-by-frame technique.”

“Gravity” makes an especially intriguing case, since Sandra Bullock and George Clooney’s faces are often the only practical element that appears onscreen. Director Alfonso Cuaron has repeatedly described the innovative process they developed to create the film as being akin to that of making an animated movie. Only after the team had spent 2½ years nailing down the lighting, angles and character animation in a detailed previsualization did it reverse-engineer a way to shoot footage of the actors.

At last month’s VES Summit, Bill Kroyer pointed out the expansion of animation techniques into traditional filmmaking — an evolution that has been under way since such half-toon hybrids as “Song of the South” and “Mary Poppins,” well before the advent of computer-generated imagery.

“I believe every year we’ll see increased uses of animation techniques in filmmaking,” Kroyer says. As governor of the Academy’s short films and feature animation branch, Kroyer faces the unusual challenge of having to decide where to draw the line — though he believes the success of “Avatar” and “Life of Pi” illustrate that moviegoers aren’t the slightest bit distracted by how the lines are blurring.

SEE ALSO: PHOTOS: Eye on the Oscars: Animation Contenders

“The only people who have to worry are those of us at the Academy who reward the work; the audience can just enjoy it,” he says. “At the end of the day, it’s only us who has the problem (of deciding whether something qualifies as an animated feature). Because man, I’ll tell you, it’s pretty hard.”

This year, Sony Pictures Animation submitted “Smurfs 2” for consideration in the category — a film in which the animated blue-man gang coexists with flesh-and-blood actors onscreen. Back in 2009, however, Paramount didn’t even bother with “Where the Wild Things Are,” despite most of the characters being animated.

Although Academy’s rules stipulate that “a significant number of the major characters must be animated, and animation must figure in no less than 75% of the picture’s running time,” Kroyer says. “We’re long past the days of getting out the stopwatch and having to time the amount of animation in a movie, the way we did with films like ‘Stuart Little.’ ”

Now, it’s a question of whether the filmmaker considers the film to be animated, with the distinction often drawn between whether the animation is intended to look “realistic” (no matter how fantastical the creatures) or more stylized and “cartoonish.”

So, don’t expect any Marvel or DC entries in the category any time soon — at least, not any of the so-called “live-action” ones. But don’t be surprised if that changes down the road, especially now that the Academy has expanded the nominating process for the category to the entire membership.

In the past, members of the branch attended screenings of all eligible toons in November and voted to determine the noms. Now, any Academy member can participate, evaluating the contenders via DVD screener — a move that brings animated features in line with other categories.

And because the nominating members are expected to view all the animated contenders, don’t be surprised to find a few non-blockbusters among the final five.

“This is absolutely not a group that goes by box office, as you can see from their history, picking Miyazaki and ‘The Illusionist,’” Kroyer points out. “They are really looking for the thing that they as lifelong professionals respect and respond to.”


Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 2

Leave a Reply


Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  1. kenduncan1 says:

    A true animated film is one in which the performances(acting) of the primary characters are created by character animators. The thought process, behaviors, reactions, timing are created by the animators.
    This differs greatly from “visual effects”, such as animated space debris.

  2. cadavra says:

    A more pressing problem is the Cinematography category, where the growing trend is to give the statuette to movies that are mostly CGI and green-screen, such as AVATAR and LIFE OF PI. If this pattern follows, GRAVITY will win this year and Roger Deakins will get screwed again. The Academy really needs to rewrite the qualification rules so that only films that are natively photographed for a majority of their running times should be eligible.

More Biz News from Variety