You will be redirected back to your article in seconds

Forever Dusty

Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway's latest offering in the genre, "Forever Dusty," may raise the unfortunate question to some of "Dusty who?"

With:
Dusty Springfield -- Kirsten Holly Smith
Jerry Wexler/Bob Thackeray -- Benim Foster
Claire -- Christina Sajous
Becky/Girl -- Coleen Sexton
Tom Springfield -- Sean Patrick Hopkins

Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a musical about her remains unresolved in a perfunctory staging peppered with cliches.

A British pop singer who achieved fame in the late ’60s with songs like “You Don’t Have to Say You Love Me,” “Son of a Preacher Man” and Burt Bacharach’s “The Look of Love,” Springfield was one of the most popular U.K. female vocalists of her time, noted not only for her voice but for her peroxide-blonde beehive and excessive eye makeup. “Forever Dusty” takes her from a shy teen singing backup with the cool girls at the convent to stardom, then on to oblivion. Accompanied by a slew of Springfield songs, natch.

The show comes from director Randal Myler, who seems to specialize in this sort of dead-pop-singer tribute (with past shows centering on Janis Joplin, the Mamas and the Papas, Woody Guthrie and Hank Williams). The format here is simple: An actress impersonates the star, while two women and two men sing backup, play all the other roles, and sometimes move the furniture.

The success of such ventures rides on the strength of the central performer. Thesp Kirsten Holly Smith (also the co-author with Jonathan Vankin), who performed an earlier version of the show in Los Angeles in 2008, is clearly dedicated to the material. Her Dusty, though, is far from compelling; the most exciting flashes of talent in the show come not from her, but from one of the backup singers.

Christina Sajous (“Spider-Man: Turn Off the Dark,” “American Idiot”) first emerges singing “Tell Him,” and later takes on the extended role of Claire, a jazz reporter who becomes Dusty’s lover. She, at least, has the chops to make things watchable during her solos and scenes. The book and staging are basic at best, and the wall-sized projections are sometimes startling in the New World Stages’ small space. The four-piece band, at least, keeps the beat going through 20-odd songs.

Forever Dusty

New World Stage 5; 199 seats; $79 top

Production: A Leslie Brockett, Jorja Fox, Jane Gullong, Sandalphon Prods., Eva Price presentation of a musical in one act with book by Kirsten Holly Smith and Jonathan Vankin. Directed by Randal Myler. Music direction by Michael Thomas Murray.

Creative: Sets, Wilson Chin; costumes, Nancy A. Palmatier; lights/projections, Richard Dibella; sound, Matt Kraus; arrangements, Murray; production stage manager, Kris Valentine. Opened Nov. 18, 2012. Reviewed Nov. 17. Running time: 1 HOUR, 35 MIN.

Cast: Dusty Springfield -- Kirsten Holly Smith
Jerry Wexler/Bob Thackeray -- Benim Foster
Claire -- Christina Sajous
Becky/Girl -- Coleen Sexton
Tom Springfield -- Sean Patrick Hopkins

More Legit

  • Disney Theatrical's Thomas Schumacher Accused of

    Disney Theatrical's Thomas Schumacher Accused of Sexual Harassment

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

  • Wicked

    Broadway Box Office Gets a Little Love From Valentine's, Presidents' Day

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

  • Frozen Broadway

    Stagecraft Podcast: Behind the Scenes With Cast, Creators of 'Frozen'

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

  • Andrew Garfield Variety Facetime Interview

    Andrew Garfield on Avoiding 'Sickness' of Celebrity Culture

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

  • Geoffrey Rush

    Geoffrey Rush Accused of 'Inappropriate Touching,' Court Documents Show

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

  • What's Next for 'Natasha, Pierre and

    What's Next for 'Natasha, Pierre and the Great Comet of 1812'

    Jukebox-musical bios are usually anchored in the life and work of a superstar, readily recognizable by a single name: Judy, Janis, Piaf. Off Broadway’s latest offering in the genre, “Forever Dusty,” may raise the unfortunate question to some of “Dusty who?” The answer is Dusty Springfield, but the reason why we’d want to see a […]

More From Our Brands

Access exclusive content