American Film Market 2012: Global Locations - Eastern Europe
The Chronicles of Narnia: Prince Caspian” in 2008. But since then it’s been more about West European shoots such as last year’s Agnieszka Holland Holocaust drama “In Darkness,” a Polish-German-Canadian co-production, and Vincent Gallo starrer “Essential Killing,” with Irish, Norwegian and Hungarian partners in 2010. Although Poland, with a population of 38 million, is one of Eastern Europe’s economic tigers comprising backdrops that range from coasts to mountains to Old Europe-style cities, the country has yet to introduce film production rebates or tax incentives. That’s something the Film Commission, along with the well-funded Polish Film Institute, is pushing for. In the meantime, says Szczerbak, industryites have aggressively developed alternative attractions such as regional funds and a healthy body of local shingles to partner with, thanks to the 2005 Cinematography Act, which established the former East Bloc’s most robust local film funding system. Biz-friendly Alvernia Studios outside Krakow has hosted U.S. legal thriller “Arbitrage,” plus Amy Heckerling horror laffer “Vamps.” The country has not adopted the euro and its currency, the zloty, has a Hollywood-friendly exchange rate against the dollar. That makes shooting there a serious bargain “that enables us to compete even with countries that provide tax incentives,” Szczerbak says. With a new American Film Fest that fills Wroclaw with U.S. talent, Poland is clearly focused on drawing more Western productions.
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