Hi, I’m Abed Nadir, a film major at Greendale College. The editors of this paper have asked me to share my 2011 Best Comedy Emmy pick, I’m assuming as part of some diversity program.
No surprises among the favorites this year, probably because surprising people isn’t a favorite’s function. I’m told that “The Big C,” “Parks and Recreation,” “Modern Family,” “The Office,” “30 Rock” and “Big Bang Theory” are what everyone’s talking about, and “everyone” must include whoever gives Emmys.
My pick? Well, I haven’t seen these shows, but I do have a system. First, eliminate the longest-running and highest-rated shows. The Emmys are about a revolution of sophistication. If “The Office” is revolutionary, why isn’t it canceled? If “Big Bang Theory” is sophisticated, why is everyone watching it? They’re out.
I sort the last four into two groups: a) shows that have won an Emmy, so it seems like they’ll win again, and b) shows that haven’t won yet, so it seems like their turn. Sorting every winner since “I Love Lucy” in 1953:
B A B B A B A B B AA B B AB B A A B B AA A B A A B B A B B A B A B A A B B A A A A B B B B B B A B B A A B
” pattern emerges soon and repeats often, as people’s urge to shake up a system always results in systemic shaking. I totally get it: I once missed a week of school by trying not to touch my chin 7,000 times. The stretches of non-ABBA you see are “cable scares,” like when we just kept giving Emmys to “Frasier” until “Larry Sanders” went away. Think of TV as Rain Man getting through HBO’s smoke alarm by chanting “I like the guy from Cheers.”
Since HBO is currently scaring nobody, we have to assume we’re one “B” into an ABBA, specifically the second in a classic ’61 double-ABBA, with “30 Rock” as “Phil Silvers” and “Modern Family” as “Jack Benny.” I probably don’t have to explain this.
That means “Modern Family” is out, as everyone assuming it’s a shoe-in will now accidentally shoe-in an upset. Also, my friend Shirley says that show is about “thumbing noses at the book of Leviticus.” Don’t know what that means but sounds boring. “Hogan’s Heroes” thumbed their noses at the German army — where’s their nomination?
Also gone: “30 Rock.” It’s won before, so it wouldn’t be the “B” ABBA needs. I know what you’re saying. “Abed, what about the 1989-1992 ‘Cheers’/ ‘Murphy Brown’ Seizure?” Those were different times, competition-wise. This is a golden age of TV, meaning, there’s more stuff to watch than there are people watching. We will not flee back to Tina Fey because there’s no Delta Burke
trying to eat us.
So it’s between “Parks” and “The Big C.” My friend Shirley says a magazine said “Parks and Rec” is the “smartest comedy on TV” (yet another insult to a much smarter sitcom with which I am intimately acquainted … starts with a “C,” ends with “ougar Town”). And “Parks” is on NBC, safe from the tarnish of ratings. “The Big C,” on the other hand, has the advantage of only having to be mildly humorous to be considered hysterically funny. Laugh once at cancer, you’re laughing A LOT.
That’s when simple logic enters the picture: We’ll give it to “The Big C” this year, because we know it’s their only chance to get it. By next year, Laura Linney’s character will either have died, or the “Fonz” of her diagnosis will have “grown the beard” of remission.
“The Big C”‘s victory will be an upset, but not an outrage. My friend Shirley says Showtime magazine truly believes it’s an Emmy-worthy comedy, and if it’s not, why would they spend so much money saying so?
The outrage will be in 2012, when “Parks” lines up for its turn, only to watch the Emmy go to “Modern Family.” To misquote my Dad: The will of ABBA will not be denied.
ROAD TO THE EMMYS: COMEDY
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