Review: ‘Rent’


It seems like a mere 525,600 minutes since "Rent" blew out its last candle over at Broadway's Nederlander Theater. It's already back, and the news is all to the good.

It seems like a mere 525,600 minutes since “Rent” — Jonathan Larson’s ground-breaking, Tony-and-Pulitzer-winning study of East Village Bohemians — blew out its last candle over at Broadway’s Nederlander Theater. It’s already back, and the news is all to the good. “Rent” is not so provocative as it was back in 1996, but even so, the tuner is plenty effective in its new Off Broadway guise.

It’s been almost three years since the Broadway version closed, which original producers Jeffrey Seller, Kevin McCollum and Allan S. Gordon have determined is hiatus enough. Following the lead of Seller and McCollum’s “Avenue Q” — which after a six-year run reconfigured itself with cheaper Off Broadway contracts at New World Stages — a new production of “Rent” also has opened at the venue.

These days, the squatters of Alphabet City are a distant memory rather than the razor-sharp slice of life they seemed in 1996, and there are few surprises in the show when a significant portion of the target audience is bound to walk in familiar with Mark and Roger, Maureen and Mimi and the rest.

But director Michael Greif has reconceived the piece, giving us a similar-but-new production sized to fit one of the 499-seat houses in the sub-basement of New World Stages. Musical supervisor Tim Weil and costume designer Angela Wendt are on hand to repeat their original assignments, but Greif has drafted a new choreographer and set, lighting, and sound designers. (Kevin Adams’ lighting design is an improvement over the original.) Still, “Rent” does seem pretty much to be “Rent” — and happily so.

The original 1996 cast — Anthony Rapp, Adam Pascal, Daphne Rubin-Vega, Idina Menzel, Taye Diggs, Jesse L. Martin — created their parts so memorably that the current crop can’t be expected to compete. Even so, the 2011 group has a distinct advantage over the dozens of cast replacements on Broadway and on tour, benefiting from a full rehearsal period with director Greif and with each other. As a result, they play well together.

Standing out are Adam Chanler-Berat (the boyfriend in Greif’s “Next To Normal” and Peter in the recent “Peter and the Starcatcher”) as Mark; a very funny Annaleigh Ashford as Maureen; Corbin Reid as Joanne; and MJ Rodriquez as Angel. Cast size is pretty much the same as before, with apparently one less ensemble member. Off Broadway gets the same five-piece orchestration as in the original.

Adding in swings, band and others, the $1.5 million revival has a hefty-for-Off-Broadway union payroll of at least twenty-five. But Larson’s masterwork also has a gilt-edged title, legions of existing fans, and an enormous potential audience of 16- to 22-year-olds who were too young for “Rent” back in 2008. The canny producers of “Avenue Q” and “In the Heights” know just how to market their wares, suggesting that this downsized production — with its reduced off Broadway rent — will prove viable.


New World Stages; 494 seats; $89.50 top


A Jeffrey Seller, Kevin McCollum and Allan S. Gordon presentation of a musical in two acts with book, music and lyrics by Jonathan Larson. Direction by Michael Greif; choreography by Larry Keigwin. Music direction by Will Van Dyke.


Set, Mark Wendland; costumes, Angela Wendt; lighting, Kevin Adams; sound, Brian Ronan; projections, Peter Nigrini; arrangements, Steve Skinner; music supervision and additional arrangements, Tim Weil; production stage manager, Monica A. Cuoco. Opened Aug. 11, 2011, reviewed Aug. 8. Running time: 2 HOURS, 30 MIN.


Mark Cohen - Adam Chanler-Berat
Roger Davis - Matt Shingledecker
Tom Collins - Nicholas Christopher
Benjamin Coffin III - Ephraim Sykes
Joanne Jefferson - Corbin Reid
Angel Dumott Schunard - MJ Rodriguez
Mimi Marquez - Arianda Fernandez
Maureen Johnson - Annaleigh Ashford
With: Margot Bingham, Marcus Paul James, Tamika Sonja Lawrence, Ben Thompson, Michael Wartella, Morgan Weed.

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