Review: ‘For the Boys’

'For the Boys'

There are many lessons one could take from this noble but ultimately unavailing effort to adapt the 1991 USO-saluting film "For the Boys" to the stage, but it ultimately boils down to something very simple and unsurprising: Without major transformation, a film that didn't work will likely become a musical that doesn't work.

There are many lessons one could take from this noble but ultimately unavailing effort to adapt the 1991 USO-saluting film “For the Boys” to the stage, but it ultimately boils down to something very simple and unsurprising: Without major transformation, a film that didn’t work will likely become a musical that doesn’t work.

Adaptor Aaron Thielen, director Marc Robin, and their collaborators at the Marriott Theater outside Chicago — among the largest subscription institutions in the country — deserve sincere kudos for the exceptionally polished professionalism of the show. It looks sharp and moves smoothly, a particular challenge given the in-the-round structure of the house. It also has an excellent cast, and the collection of American song classics representing the ’40s through the ’60s are sung superbly, particularly by the leads Michele Ragusa and Timothy Gulan in the roles played on film by Bette Midler and James Caan. And, admirably, the show has its heart in the right, patriotic place.

But the result remains a tonally confused, lumbering combination of jukebox musical, relationship drama, sweeping history and, maybe somewhere in there, musical comedy, in that there is both music and comedy.

Telling the story of a couple of entertainers, reminiscent of Bob Hope and Martha Raye, who keep teaming up over the decades to bring levity and support to the troops who fought America’s mid-century wars, “For the Boys” boasts songs that are all performed in a presentational style, not intended to provide drama so much as to capture mood. And even then, there’s a feeling of distance to the performance quality that keeps even the musical moments from being engaging — the performers seem to be singing into a nostalgic ether, directed at the photos of troops projected above the stage, rather than making the living audience their target.

That emotional distance means that the show can be amusing without really being funny, and sentimental without being moving. And it doesn’t help that Thielen’s faithfulness to the screenplay means he has a lot of plot that goes only in the most predictable directions.

Part of the problem may well be that 1991 happened to be the year of the first Gulf War, at a time when America had been at peace for quite a while. Since then, the nation has found itself in a series of fierce overseas battles, not to mention a notable homeland attack 10 years ago.

That makes a show about showbiz that begins with WWII and ends with Vietnam feel even more like a relic, almost seeming to ask the question: Remember when war was hell but the entertainment was terrific?Musical Numbers: “Billy-a-Dick,” “You Are My Sunshine,” “GI Jive,” “Stuff Like That There,” “P.S. I Love You,” “Stuff Like That There” (reprise), “I Remember You,” “I Wish You Love,” “There’ll Be a Hot Time in the Town of Berlin,” “What Will Santa Claus Say?,” “Come Rain or Come Shine,” “America the Beautiful,” “I Thought About You,” “Rag Mop,” “That’s Loyalty,” “I Remember You” (reprise), “Christmas Island,” “Botch-a-Me,” “Baby, It’s Cold Outside,” “A Christmas Love Song,” “What Are You Doing New Year’s Eve,” “West Point March,” “What a Wonderful World, “I Remember You” (reprise).

For the Boys

Marriott Theater, Lincolnshire, Ill.; 900 seats; $55 top


A Marriott Theater presentation of a musical in two acts, written by Aaron Thielen, based on the 20th Century Fox film by Neal Jimenez, Lindy Laub and Marshall Brickman. Directed and choreographed by Marc Robin. Musical direction, Ryan T. Nelson.


Set, Thomas M. Ryan; costumes, Nancy Missimi; lighting, Diane Ferry Williams; sound, Robert E. Gilmartin; projections, Sage Marie Carter; orchestrations, David Siegel; musical supervisor, Patti Garwood, production stage manager, Michael Hendricks. Opened Aug. 26, reviewed Aug. 27, 2011. Runs through Oct. 16. Running time: 2 HOURS, 30 MINS.


Dixie Leonard - Michele Ragusa
Eddie Sparks - Timothy Gulan
Loretta Brooks - Anne Gunn
Art Silver - Michael Weber
Sam Schiff - Michael Aaron Lindner
With: Bernie Yvon, Melissa Zaremba, Johanna McKenzie Miller, Holly Stauder, Summer Naomi Smart, Katheryn Patton, Rod Thomas, Jameson Cooper, John Michael Coppola, Alex Goodrich, Andrew Mueller, Brandon Springman, Karl Hamilton, Zachary Keller, Johnny Rabe, Daniel Coonley, Conlan Ledwith

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Legit News from Variety