Review: ‘Restless City’

Camera-scoured Manhattan wouldn't seem to have many secrets left, but the extraordinarily beautiful "Restless City" achieves revelation on two tiers.

Camera-scoured Manhattan wouldn’t seem to have many secrets left, but the extraordinarily beautiful “Restless City” achieves revelation on two tiers — in the kinetic landscape of the city itself and in the world of Senegalese immigrants, whose struggle evolves just beneath the sightlines of the average New Yorker. Pic’s visual elegance makes a limited arthouse life possible, although Nigerian-born fashion photog-turned-helmer Andrew Dosunmu is far more interested in aesthetics than narrative in erecting his visually poetic “City.”

Using the chaos of Canal Street as a portal into a mini-Third World of hustlers, hawkers, illicit street salesmen and a cacophony of accents and languages, Dosunmu focuses on Djibril (Sy Alassane), a 21-year-old from Dakar. Djibril was a singer back home, but as a disenfranchised New Yorker, he rides his Vespa, looks for work and dreams of music.

Djibril’s story is classic: an American dream, a moral crossroads, a woman — Trini (Sky Grey) — and a crisis. Dramatically, it’s schematic. Visually, it’s euphoric, the recurring shots of Djibril motoring toward the camera through traffic providing a visual anchor for the film’s otherwise unpredictable eye

But it’s not just Dosunmu’s direction or d.p. Bradford Young’s use of light and reflective surfaces that make “Restless City” fascinating. Both the sound and the creative use of silence are crucial to the film’s impact, as are the faces — melancholic portraits of hope and sadness, which Dosunmu lingers over as if in search of some elusive truth.

Restless City


An Ajiwe Fu Orishas presentation of a Clam production in association with Ayni Media. Produced by Katie Mustard, Matt Parker. Executive producers, Andrew Dosunmu, Anthony Okungbowa, David Raymond. Directed by Andrew Dosunmu. Screenplay, Eugene Gussenhoven.


Camera (color, HD), Bradford Young; editor, Oriana Soddu; production designer, Chad Keith; art director, Jonathan Guggenheim; costume designer, Mobolaji Dawodu; sound (Dolby 5.1), Wil Masisak; supervising sound editor, Eli Cohn; re-recording mixer, Cohn; casting, Lois J. Drabkin. Reviewed at Sundance Film Festival (Next), Jan. 26, 2011. Running time: 80 MIN.


Sy Alassane, Sky Grey, Tony Okungbowa, Danai Gurira, Babs Olusanmonkun.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety