Review: ‘Raw Faith’

Peter Wiedensmith's unassuming docu on Unitarian minister Marilyn Sewell sounds a welcome, unabashedly humanistic note.

With self-righteous religious conservatism flooding the airways, Peter Wiedensmith’s unassuming docu on Unitarian minister Marilyn Sewell sounds a welcome, unabashedly humanistic note. Conveying little of the certitude that makes inspirational figures so difficult to emulate, Sewell shares her own doubts and fears with her congregants and encourages them to wrestle with theirs, greatly facilitating the pic’s dual focus on the minister’s life and work. Sewell’s openness, ready wit and down-to-earth integrity have nearly tripled attendance at her church in Portland, Ore. But “Raw Faith,” which bowed theatrically June 24 in Gotham, should find most of its flock in ancillary.

Docu follows Sewell over two years, her candid thoughts and personal video diary supplementing the film’s images of her morning exercises, sermons, therapy sessions and visits with parishioners. This period marked a turning point as Sewell inwardly debated changing her workaholic ways, left the ministry to pursue other callings (including a late-blooming romance) and struggled to process unresolved issues from a traumatic childhood. Unfortunately, Wiedensmith identifies too much with his subject, sometimes leaving in repetitions and longueurs that dilute the impact of his preacher’s singular dedication.

Raw Faith

Production

An Alive Mind Cinema release of a Sameboat Prods. presentation of a WKE production in association with Film Action Oregon. Produced by Neil Kopp, Patty Brebner, Scott MacEachern, Ashley MacEachern. Executive producers, Scott MacEachern, Ashley MacEachern. Directed by Peter Wiedensmith.

Crew

Camera (color, HD), Wiedensmith; editors, Katie Trinski, Wiedensmith; music, Nathanial Morgan. Reviewed at Quad Cinema, New York, June 26, 2011. Running time: 92 MIN.

With

Marilyn Sewell, George Crandall.
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