A well-cast but generally unremarkable drama about an Iraq War vet's struggle to recover from physical and psychological wounds at a military rehab hospital.
Faint echoes of “Coming Home” and “One Flew Over the Cuckoo’s Nest” resound throughout “Happy New Year,” a well-cast but generally unremarkable drama about an Iraq War vet’s struggle to recover from physical and psychological wounds at a military rehab hospital. Adapting his own Off Broadway play, writer-director K. Lorrel Manning cannot dispel the strong sense of deja vu that permeates the entire enterprise. This small-budget indie likely will be remembered best, if at all, as a calling card for some cast members involved.Pic is propelled primarily by the yeoman performance of Michael Cuomo, who effectively underplays a Marine sergeant left badly scarred and wheelchair-bound after a roadside ambush. Due to overcrowding at a VA facility, he’s assigned to a psychiatric ward, where he clashes with an autocratic doctor (Jose Yenque), tentatively romances a compassionate nurse (Monique Gabriela Curnen) and bonds with aggressively colorful fellow patients. Cuomo impresses during a few intense scenes, most notably when he comforts the husband of a fallen comrade by saying, “Your wife was an excellent Marine. You can tell your daughter that.” But predictable plot and drab production values don’t help much.