Review: ‘Electric Daisy Carnival Experience’

'Electric Daisy Carnival Experience'

Even though it's thoroughly enjoyable, skillfully made and often thrilling, "Electric Daisy Carnival Experience" is ultimately undercut by its unwillingness to confront the volatile dramas lurking just beneath its subject's candy-colored exterior.

Even though it’s thoroughly enjoyable, skillfully made and often thrilling, “Electric Daisy Carnival Experience” is ultimately undercut by its unwillingness to confront the volatile dramas lurking just beneath its subject’s candy-colored exterior. Director Kevin Kerslake’s account of the titular newsmaking dance music festival was pulled from several theater chains after its premiere at Grauman’s Chinese Theater occasioned a near-riot, and while that reaction might seem overblown in retrospect, it will likely consign the docu to strong homevid prospects.

To non-fans, the 2010 edition of the wildly popular annual megarave — which comprises the bulk of the docu — is notable for some unpleasant reasons: namely the scores of arrests and the death of a teenage girl that led to the event being booted from its longtime home at the Los Angeles Memorial Coliseum. For many, the electronic dance music scene is inseparable from the drug-fueled decadence that typically follows it, and not without reason. But a strong case could be made that the demonization of the scene is little more than the most recent iteration of classic youth-culture hysteria, in which isolated tragedies are blown out of proportion into full-fledged menaces. After all, this summer’s rock-oriented Bonnaroo Festival saw two deaths, and Phish concerts routinely break municipal drug-arrest records, yet neither have been subject to the sort of scrutiny accorded Electric Daisy.

However, this is not a case the film makes, or even alludes to. (The crowd-control trouble goes unmentioned, as do drugs of any kind.) While its focus on the music and the scenery of the event is welcome for the most part — and a segment spotlighting DJ AM, who later died of a drug overdose, is appropriately reverent — the film’s one-sidedness occasionally makes pieces seem like exercises in damage control. This is unfortunate, as the pic features some eloquent EDC defenders. Popular DJ Kaskade — who was later blamed for unintentionally inciting the disturbance at the film’s premiere — here seems remarkably level-headed, interviewed from his quiet suburban home prior to performing. Also on an even keel is KCRW’s resident tastemaker Jason Bentley, who describes the utopian impulse in the dance music scene as having saved his life.

All the same, most viewers will come for glimpses of the music and the surrounding spectacle, and they’ll be well served in that regard. With its emphasis on seamless song transitions and slow-building valleys and peaks, this sort of music is difficult to appreciate in truncated form, and Kerslake is wise to let his cameras linger on individual performances for longer than most music docs would allow. This gives the DJs — who also include Moby, Steve Aoki, Afrojack and David Guetta — ample room to show their stuff, with closeups of turntables and mixing boards illustrating the often overlooked difficulty of the job. Festival organizers and the imaginatively costumed go-go dancers who grace the stages also get short profiles.

Sound and visual quality are of a uniformly high caliber, and Agata Alexander’s dexterous editing helps the pic move swiftly and at times dazzlingly, despite a long running time.

Electric Daisy Carnival Experience


A National CineMedia Fathom release of an Insomniac Events production. Produced by Pasquale Rotella, Kevin Kerslake, Jake Oelman, Kelly Lewis Williams. Executive producers, Ed Bates, Randy Simon, Richard Titus, Jay Faires, Thaddeus Jankowski, Shari E. Redstone, Richard J. Sherman. Directed by Kevin Kerslake.


Camera (color), Agata Alexander, Jason Boritz, Chris Bredesen, John Busch, Bradley Carper, Tawd Dorenfeld, Mike Evans, Ryan Fitzgerald, Douglas Lloyd Freel, Toby Fulp, John Gannon, Dave Garcia, Steven Andrew Garcia, Neil Goss, Kevin Kerslake, Tom Lembcke, Guy Logan, John Logsdon, Barrett Loose, Scott McDonald, Ace McKay-Smith, Justin Nizer, Jake Oelman, Estevan Oriol, Dino Parks, Randy Peschke, Tom Roarke, Jake Sarfaty, Gilbert Salas, Christian Schneider, Robert Swanson, Dave Warshauer, Mark Weichel, Randy Williamson, Chris Zamoscianyk; editor, Alexander; sound, Tim Hays, Howard Eriksson, Resa Mousavi; supervising sound editor, D. Chris Smith; re-recording mixers, Ben Wilkins, Smith. Reviewed on DVD, Los Angeles, Aug. 5, 2011. Running time: 128 MIN.


Kaskade, Pasquale Rotella, Jason Bentley, Moby,, DJ AM, Benny Benassi, BT, Travis Barker, Deadmau5, Steve Aoki, Afrojack, David Guetta.
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety