Location: Europe - Denmark
The Danish government revised its support for the local biz last fall, increasing coin to $401 million for 2011-14, of which about half is for development and production. It freed filmmakers from some of the constraints that its subsidies had placed on them previously, such as the need to make pics that appealed primarily to local broadcasters and the local box office. Its aim was to encourage risk-taking and innovation.Not that the Danes have been overly conservative in the past. They are arguably the most outward looking of Nordic folk, with around half of the local pics securing foreign distribution. The leading shingles — such as Zentropa (“Melancholia”) and Nimbus (“Flame and Citron”) — regularly make international co-productions, often in English. There is now a greater focus on the development stage, so an early application for coin is advised. As before, funding for children’s and youth films are a priority. For co-productions, the Danish Film Institute will consider funding up to a maximum of 60% of the local producer’s share of the equity. A local partner for theatrical release or broadcast must be secured. Co-productions that are part of a longer-term relationship between partners, and that help develop the local skills base, are preferred. Regional funds include FilmFyn, which has $1.42 million a year for feature film support, and West Danish Film Fund/Filmby Aarhus, which can offer up to $286,000 for a film, up to a maximum 15% of the budget. Danish pics can also tap into the Nordisk Film and TV Fond.
STUDIOS & FACILITIES UPDATE
Most of the facilities companies work across Nordic borders, with strong links with Sweden in particular. Many Danish pics shoot at Sweden’s Trollhattan studios, for example.
Space Case: Within Denmark, the main studio space is found at Nordisk Film Studios at Risby and Valby, Zentropa’s Filmbyen, which is a former military base and houses a range of film facilities, and the Danish Film Studios, which lies to the north of Copenhagen. There are also two modern studios at Filmby Aarhus in Western Denmark.
RESOURCES & CREW DEPTH
With around 30 features produced in Denmark a year, and a lively TV and commercials production sector, competition for high-quality crews is intense. However, below-the-line talent can be pulled in from across the Nordic region.
POST & VFX
Buoyed by its strong commercials work, the standard of the visual effects sector is very high, with such companies as Duckling (“Everything Will Be Fine”) and Ghost (“Kick-Ass”), and individuals like vfx supervisor Jeppe Nygaard Christensen (“The Sorcerer’s Apprentice”) and post-production supervisor Charlotte Buch (“Melancholia”), establishing an international profile.
FILM COMMISSION CONTACTS
Oresund Film Commission
Ulrik Bolt Jorgensen
+45 2230 6047
Email: email@example.com The West Danish Film Fund
+45 8940 4882
Email: firstname.lastname@example.org Danish Film Institute
+45 3374 3433
Email: email@example.com Nordisk Film and TV Fund
+47 64 00 60 81
THE ONE THING YOU NEED TO KNOW
Although local crews and facilities houses are reliable, the climate is less so. “The weather in Denmark is never what you want it to be,” says Glaesel.